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Review of See How They Run (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 13 Sep 2022

It’s all very British, enough so they should serve tea and crumpets during screenings. Some of it is also entertaining. Just not enough…

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Review of Barbarian (2022)

By Tvjerry (1,783) on 13 Sep 2022

You know the old horror movie trope where the person goes into a dark, creepy room, even though everyone in the audience is thinking, Don't…

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Review of See How They Run (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 13 Sep 2022

The colorful characters of Stoppard and Stalker loom large here, as detectives so often do — Hercule Poirot, Jane Marple — in such fare…

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Review of Wendell & Wild (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 13 Sep 2022

At 105 minutes, it’s a little overladen, as Selick and Peele over-complicate their storytelling with subplots and even commentary on the…

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Review of Empire of Light (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 13 Sep 2022

The film has a sheepish, hair-shirt quality, as if it wants credit for intersectional largesse…

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Review of The Menu (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 13 Sep 2022

Subtle it’s not, but it’s maliciously entertaining. It turns out that revenge on the ultra-wealthy is a dish best seared over a naked flame…

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Review of See How They Run (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Sep 2022

For all its showy, whirring machinations, the film isn’t especially light on its feet — and its murder mystery isn’t very engrossing…

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Review of My Policeman (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Sep 2022

This adaptation of Bethan Roberts’ novel is full of repressed emotions and the occasional tearful recrimination, but the stateliness of the…

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Review of Women Talking (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Sep 2022

Women Talking is a challenging work that requires a little patience from the audience, which is rewarded with a troubling, provocative story…

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Review of The Invitation (2022)

By Compi24 (1,147) on 13 Sep 2022

Another clear case of a film's trailer almost completely tanking its watchability…

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Review of The Retaliators (2022)

By Matt Donato (975) for IGN (1,013) on 13 Sep 2022

The Retaliators tries to transform musical stardom into a rock n’ roll horror epic, but suffers from “too many cooks” syndrome as the…

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Review of Clerks III (2022)

By Brian Lowry (913) for CNN (497) on 13 Sep 2022

Grappling with middle age, Clerks III turns out to be unexpectedly sentimental and nostalgic, reflecting that writer-director-editor-co-star…

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Review of The Fabelmans (2022)

By David Fear (910) for Rolling Stone (4,035) on 13 Sep 2022

If the movie does adhere to his signature beats, and feature so many recognizable Spielbergisms, occasionally to its detriment, it’s still…

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Review of The Retaliators (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 13 Sep 2022

Without revealing which one wins out, I can assure you that a huge amount of murderous mayhem is unleashed, including death by woodchipper…

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Review of McEnroe (2022)

By Brent_Marchant (762) on 13 Sep 2022

BbAnyone interested in learning about the perils of perfectionism should check out this insightful documentary about legendary tennis star…

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Review of Pinocchio (2022)

By Mauro_Lanari (665) on 13 Sep 2022

(Mauro Lanari) Tom Hanks wearing makeup like Manfredi and Battiston in the role of Mangiafuoco (oops: Stromboli) are the only almost two concessions…

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Review of Pinocchio (2024)

By Mauro_Lanari (665) on 13 Sep 2022

(Mauro Lanari) Tom Hanks wearing makeup like Manfredi and Battiston in the role of Mangiafuoco (oops: Stromboli) are the only almost two concessions…

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Review of Confess, Fletch (2022)

By Matt Singer (625) for ScreenCrush (954) on 13 Sep 2022

It didn’t knock me out with ingenious plot twists, bold cinematography, or groundbreaking editing. But it made me smile for 98 minutes…

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Review of The Silent Twins (2022)

By Mark Jenkins (515) for Washington Post (9,851) on 13 Sep 2022

The Silent Twins doesn’t try to explain its protagonists’ affliction, but the movie does express its crushing sadness…

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Review of The Silent Twins (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 13 Sep 2022

What happens to the twins won’t be revealed here (those with overriding curiosity can find the Wikipedia page about them), but Smoczynska,…

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