Browse Movie Reviews - Page 1,347 of 258,691

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Review of Athena (2022)

By Tara Brady (805) for The Irish Times (483) on 23 Sep 2022

This electrifying new film from director Romain Gavras starts as it means to go on: with a riot and fireworks…

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Review of Catherine Called Birdy (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Sep 2022

A sly fairytale about a medieval tween that manages to be both cheeky and modern without losing its heart…

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Review of A Jazzman's Blues (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Sep 2022

[Perry] also has a way of making even the most telegraphed twists and overheated dialogue ring with conviction, a consummate entertainer to the end…

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Review of The American Dream and Other Fairy Tales (2022)

By Kate Erbland (681) for IndieWire (3,631) on 23 Sep 2022

While much of the information shared in “The American Dream” is stunning, tenuous threads and too-zippy pacing keep it from landing with…

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Review of Jerry & Marge Go Large (2022)

By Mauro_Lanari (665) on 23 Sep 2022

(Mauro Lanari) Less challenging than Collateral Beauty (2016), Frankel nonetheless bastes another heartwarming tale, a tender, gentle, cute,…

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Review of Don't Worry Darling (2022)

By Matt Singer (625) for ScreenCrush (954) on 23 Sep 2022

A film is not how it’s made; it’s how it plays. And Don’t Worry Darling plays very poorly…

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Review of Confess, Fletch (2022)

By Geoff Berkshire (602) for Los Angeles Times (12,977) on 23 Sep 2022

Hamm’s performance here as freelance journalist and investigative whiz Irwin “Fletch” Fletcher is a master class in effortless charm,…

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Review of My Imaginary Country (2022)

By Jessica Kiang (522) for Variety (12,700) on 23 Sep 2022

While in formal terms it’s more of a standard, reportage-based doc than any of his recent essays, it is also the rarest of projects: one…

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Review of Don't Worry Darling (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 23 Sep 2022

Pugh, a sensational actress, keeps our interest as she grows increasingly suspicious and sees disturbing visions in mirrors and on windows…

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Review of Athena (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 23 Sep 2022

While some of these struggles are specific to the French communities the film follows, they are also universal, with recent echoes deeply familiar…

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Review of Don't Worry Darling (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 23 Sep 2022

With Pugh's powerhouse performance elevating the script and an engaging central mystery to keep the plot moving, the film has enough going…

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Review of Basic Instinct (1992)

By Eva3Si0N (403) on 23 Sep 2022

Basic Instinct is one of the best erotic thrillers…

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Review of Good Will Hunting (1997)

By Eva3Si0N (403) on 23 Sep 2022

Good Will Hunting is a wonderful drama about the talented young mathematician Will…

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Review of Conspiracy Theory (1997)

By Eva3Si0N (403) on 23 Sep 2022

Conspiracy Theory is a good detective thriller with detective elements. A prime example of a great thriller from the 90s…

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Review of The Watcher (2000)

By Eva3Si0N (403) on 23 Sep 2022

The Watcher is a classic B-level thriller. A common story with a retired tired policeman and a killer maniac…

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Review of Don't Worry Darling (2022)

By Bertobellamy (400) on 23 Sep 2022

Can confirm that this didn't live up to the hype. The message is obvious, but the metaphors are empty…

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Review of Bodies Bodies Bodies (2022)

By Metacriticonur (388) on 23 Sep 2022

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of A Jazzman's Blues (2022)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 23 Sep 2022

Notwithstanding the embellishments, this undoubtedly remains a Tyler Perry film — occasionally for better, but often for worse…

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Review of Bandit (2022)

By Vince Mancini (256) for Uproxx (697) on 23 Sep 2022

It’s snappy, looks pretty, and moves along affably enough…

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Review of Athena (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 23 Sep 2022

A war epic between the people and the state, it sprints through a grassroots resistance movement like a brushfire: Blinding, dangerous, all-consuming…

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