Browse Movie Reviews - Page 1,327 of 258,691

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Review of On the Come Up (2022)

By Chase Hutchinson (96) for Collider (1,032) on 28 Sep 2022

A familiar underdog story made engaging by the flashes of patience with which it approaches its material, Sanaa Lathan’s On the Come Up doesn’t…

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Review of Inu-Oh (2022)

By Daniel Schindel (90) for Little White Lies (3,136) on 28 Sep 2022

Inu-Oh plays out as if it is a modern version of a song by an itinerant musician, relating a blend of history and folklore to us in terms we…

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Review of Blonde (2022)

By Ratedrex (77) on 28 Sep 2022

An Academy Award nominating performance by Ana de Armas…

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Review of Flux Gourmet (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 28 Sep 2022

There’s quite a lot to digest, and not all of it goes down easy, but it’s hard to fault Strickland’s ambition and imagination…

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Review of After Yang (2022)

By Paul Bradshaw (60) for NME (146) on 28 Sep 2022

Genuinely moving from the very beginning, expect to leave After Yang in a flood of tears…

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Review of God's Creatures (2022)

By Emily Zemler (55) for Observer (1,042) on 28 Sep 2022

It’s a story that hits hard, like the dark ocean waves that surge in the background of many scenes…

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Review of The Greatest Beer Run Ever (2022)

By Murtada Elfadl (54) for The A.V. Club (5,644) on 28 Sep 2022

The arguments presented by the characters on each side are broad and reductive. There’s no nuance and no original thoughts…

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Review of The Greatest Beer Run Ever (2022)

By Mark Asch (48) for Little White Lies (3,136) on 28 Sep 2022

The film doesn’t have the detail or imagination to fill in the gaps of a well-worn story with anything convincing…

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Review of God's Country (2022)

By Fartdouche (47) on 28 Sep 2022

Hilarious listening to all of these butthurt leftist crybabies on here who can't accept people who dont like this idiotic movie…

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Review of The Neon Demon (2016)

By Amadouiraklidis (40) on 28 Sep 2022

This movie is **** I mean, truly awful. Sickening to the core, from the content and to the end product…

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Review of The Woman King (2022)

By Theirrelephants (39) on 28 Sep 2022

Historical revisionism aside (and hoo boy was the movie pretty much based on rewriting history), this is one of those movies where it could…

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Review of Don't Worry Darling (2022)

By Phoenixreveiws (38) on 28 Sep 2022

Unlike other people, I really enjoyed this movie. It kept me engaged the whole run time and had an outstanding soundtrack…

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Review of Decision to Leave (2022)

By Alejandra Martinez (38) for We Got This Covered (2,391) on 28 Sep 2022

Decision to Leave is a finely crafted film, with stellar performances from Park Hae-il (charming, and perfect as a detective torn between emotions…

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Review of Blonde (2022)

By Deralac (32) on 28 Sep 2022

This is the first movie I’ve seen with Ana de Armas I didn’t like. That’s mostly because I have negative interest in the topic…

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Review of Raazi (2018)

By Tarekali (30) on 28 Sep 2022

One of the best war spy thrillers I have ever seen…

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Review of On the Come Up (2022)

By Ronda Racha Penrice (28) for TheWrap (3,203) on 28 Sep 2022

At too many points, the script from Kay Oyegun (adapting the novel by Angie Thomas) is uneven: Some story beats move too fast, while others…

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Review of Girl Picture (2022)

By Marina Ashioti (28) for Little White Lies (3,136) on 28 Sep 2022

Haapasalo uses warmth, respect and empathy as her modus operandi, allowing her trio to wade through the liminal cusp of adulthood – no longer…

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Review of The Girl with a Bracelet (2020)

By Nick Levine (28) for NME (146) on 28 Sep 2022

The Girl with a Bracelet is a clever, relevant film which makes you question the way society expects young women to behave…

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Review of The Banshees of Inisherin (2022)

By Matthew Jackson (27) for Paste Magazine (2,906) on 28 Sep 2022

In its unwavering devotion to the straightforward nature of its story, The Banshees of Inisherin has found something profound and universal,…

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Review of Athena (2022)

By Dylan Roth (23) for Observer (1,042) on 28 Sep 2022

Athena is shocking, partly because its events seem only about five minutes in our future…

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