Browse Movie Reviews - Page 1,314 of 258,691

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Review of Smile (2022)

By David Fear (910) for Rolling Stone (4,035) on 29 Sep 2022

[Parker's] made a scary movie that balances psychological shock therapy with old-fashioned fright, shadowy dread with blunt splatterfest FX,…

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Review of Smile (2022)

By David Fear (910) for Rolling Stone (4,035) on 29 Sep 2022

[Parker's] made a scary movie that balances psychological shock therapy with old-fashioned fright, shadowy dread with blunt splatterfest FX,…

Read Review

Review of Smile (2022)

By David Fear (910) for Rolling Stone (4,035) on 29 Sep 2022

[Parker's] made a scary movie that balances psychological shock therapy with old-fashioned fright, shadowy dread with blunt splatterfest FX,…

Read Review

Review of Smile (2021)

By David Fear (910) for Rolling Stone (4,035) on 29 Sep 2022

[Parker's] made a scary movie that balances psychological shock therapy with old-fashioned fright, shadowy dread with blunt splatterfest FX,…

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Review of Smile (2023)

By David Fear (910) for Rolling Stone (4,035) on 29 Sep 2022

[Parker's] made a scary movie that balances psychological shock therapy with old-fashioned fright, shadowy dread with blunt splatterfest FX,…

Read Review

Review of Smile (2022)

By David Fear (910) for Rolling Stone (4,035) on 29 Sep 2022

[Parker's] made a scary movie that balances psychological shock therapy with old-fashioned fright, shadowy dread with blunt splatterfest FX,…

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Review of SMILE (2022)

By David Fear (910) for Rolling Stone (4,035) on 29 Sep 2022

[Parker's] made a scary movie that balances psychological shock therapy with old-fashioned fright, shadowy dread with blunt splatterfest FX,…

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Review of Greenland (2020)

By Broyax (884) on 29 Sep 2022

Le titre induit un peu en erreur (malgré le sous-titre français ‘le dernier refuge’), car Greenland n’est pas le pays vert… mais…

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Review of Mechanic: Resurrection (2016)

By Broyax (884) on 29 Sep 2022

Tiens, tiens, une stathamerie de plus… mais réalisée par le metteur en scène allemand Dennis Gansel (La Vague, Nous Sommes La Nuit…),…

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Review of Bros (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 29 Sep 2022

A rom-com it is. A typical rom-com it isn’t…

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Review of God's Creatures (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 29 Sep 2022

For all the fierceness of the elements, co-directors Anna Rose Holmer and Saela Davis, who previously collaborated on the well-regarded 2015…

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Review of Inhospitable (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 29 Sep 2022

InHospitable is a decent advocacy documentary that compellingly argues a couple of points that aren’t easy to make compelling onscreen…

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Review of What We Leave Behind (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 29 Sep 2022

What We Leave Behind insists upon power in stillness, and the poignancy in staying — and leaving…

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Review of The Menu (2022)

By Tasha Robinson (753) for Polygon (677) on 29 Sep 2022

There’s some knuckle-biting tension as viewers wait to see how it’ll all play out, but Mylod and the writers also suggest that it’s worth…

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Review of Nothing Compares (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Sep 2022

As an intimate, often infuriating portrait of an artist and era, it's hard to argue with the raw power of the story on screen — and the timeliness…

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Review of Bros (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Sep 2022

Bros wears its queerness proudly, without stooping to cater overmuch to whatever elusive demographics might qualify it as a crossover success…

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Review of Hocus Pocus 2 (2022)

By Matt Singer (625) for ScreenCrush (954) on 29 Sep 2022

Hocus Pocus 2 doesn’t necessarily demand Kubrickian levels of visual splendor, but it’s still a film, and film is a visual medium…

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Review of Bros (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 29 Sep 2022

It's a deliberate effort by director, co-writer, and rom-com veteran Nicholas Stoller (The Five-Year Engagement, Forgetting Sarah Marshall)…

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Review of Vesper (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 29 Sep 2022

Under the muck and mire, Vesper is a reminder that both life and hope can be surprisingly durable, flexible, and morphable…

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Review of Hocus Pocus 2 (2022)

By Brian Truitt (541) for USA Today (4,117) on 29 Sep 2022

The follow-up fails in every way, as a retread of the beloved ‘90s vehicle and as a youth-centered setup for future installments…

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