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Review of Clerks III (2022)

By Metacriticonur (388) on 13 Oct 2022

Admirable [ ad-mer-uh-buhl ] adjectiv worthy of admiration; inspiring approval, reverence, or affection…

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Review of Halloween Ends (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 13 Oct 2022

Halloween Ends is a curious and mostly effective mix of slasher antics and dramatically straight-faced themes…

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Review of Halloween Ends (2022)

By Ben Kendrick (300) for Screen Rant (892) on 13 Oct 2022

Halloween Ends is a satisfying enough conclusion to the H40 trilogy and, overall, the three films provide the strongest Halloween sequel continuity…

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Review of Halloween Ends (2022)

By David Lewis (299) for San Francisco Chronicle (7,630) on 13 Oct 2022

Halloween Ends is far from a great finale, but it’s a decent showcase for Jamie Lee Curtis, whose place in film history has long been assured…

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Review of The Same Storm (2022)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 13 Oct 2022

In short, this film leaves us moved and provoked — and impressed with its technical accomplishments — even if it isn’t a perfect distillation…

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Review of Halloween Ends (2022)

By Jamie Graham (285) for Total Film (3,532) on 13 Oct 2022

Fans, naturally, might simply want what they came for, and leave licking wounds…

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Review of Halloween Ends (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 13 Oct 2022

It’s just got enough fresh ideas, laughs (mostly intentional) and queasy jump scares to make for a raucous Friday night at the movies…

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Review of Stars at Noon (2022)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 13 Oct 2022

The rainswept city streets overflowing with graffiti and half-torn leaflets are poignant tableaux of melancholy, the jazz-infused soundtrack…

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Review of Old Man (2022)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 13 Oct 2022

An uninspired, mechanical tale, derivative of a first draft Twilight Zone episode or the chorus of that one Neil Young song whose name escapes me…

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Review of The Curse of Bridge Hollow (2022)

By Calum Marsh (242) for The New York Times (9,847) on 13 Oct 2022

Wadlow, a good horror director, seems hamstrung by the family-friendly context and struggles to develop tension in the absence of a plausible…

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Review of Decision to Leave (2022)

By Mark Keizer (225) for The A.V. Club (5,644) on 13 Oct 2022

The South Korean director, working at the top of his game, drops tantalizing clues that are best analyzed in multiple viewings which, it can…

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Review of Halloween Ends (2022)

By Keith Watson (196) for Slant Magazine (8,298) on 13 Oct 2022

Just as David Gordon Green seems to have finally unshackled his legacyquel trilogy from the dead weight of the past, the film loses the courage…

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Review of Rosaline (2022)

By Kim Hughes (164) for Original-Cin (1,156) on 13 Oct 2022

Rosaline is a delight from start to finish, a brisk, bright-eyed, and inventive romantic comedy with constituent parts that probably shouldn’t…

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Review of Rosaline (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 13 Oct 2022

The engine of this movie is snark, and Dever, overtaxed with carrying the comedy, brings a dauntlessness to the role, even during more daft moments…

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Review of She Said (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 13 Oct 2022

The film — based on their book of the same title — is sensible, dutiful and, thanks to key performances, more engaging than the average…

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Review of Halloween Ends (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 13 Oct 2022

Know from the start: Halloween Ends has some of the best kills in the franchise…

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Review of She Said (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 13 Oct 2022

She Said is not as economical in its filmmaking as Spotlight nor as robust as Shattered Glass…

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Review of The Same Storm (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 13 Oct 2022

It’s a well-intentioned gesture of solidarity that tries so desperately to be relatable, it feels alienating…

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Review of Wild at Heart (1990)

By Tonygreen (92) on 13 Oct 2022

I didn't get it, but I sure did enjoy it. Nick Cage, Laura Dern, and in particular Willem Dafoe captivate with over the top performances…

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Review of Halloween Ends (2022)

By Ethan Vestby (87) for The Film Stage (3,162) on 13 Oct 2022

Unfortunately Halloween Ends can’t stick the landing of its bizarre twist…

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