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Review of Next Exit (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 09 Nov 2022

Viewers who can endure the at-times tediously dour first hour of “Next Exit” are rewarded with a tense and emotional final stretch, with…

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Review of Enola Holmes 2 (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 09 Nov 2022

The story’s a bit convoluted, though no more than most detective plots…

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Review of Selena Gomez: My Mind & Me (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 09 Nov 2022

There’s a tear-jerking moment roughly every five to 10 minutes in this movie, as Gomez reveals her essential dilemma of being someone who…

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Review of Weird: The Al Yankovic Story (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 09 Nov 2022

Yankovic diehards will likely enjoy this movie since — like his parody songs — it takes self-serious pieces of pop culture and changes…

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Review of Spirited (2022)

By Peter Debruge (1,557) for Variety (12,700) on 09 Nov 2022

For audiences cliché-savvy enough to appreciate the movie’s self-skewering sense of humor, this all plays out pretty much exactly as they’d…

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Review of Spirited (2022)

By Peter Debruge (1,557) for Variety (12,700) on 09 Nov 2022

For audiences cliché-savvy enough to appreciate the movie’s self-skewering sense of humor, this all plays out pretty much exactly as they’d…

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Review of Incredible But True (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 09 Nov 2022

Coming in at a tight and talky 74 minutes, Incredible but True is a sweetly absurd time-travel comedy that coats its lunacy in a touching poignancy…

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Review of The Novelist's Film (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 09 Nov 2022

The structuring theme of The Novelist’s Film may be artistic frustration, the kind that can spur a writer to call it quits, an actor to take…

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Review of Spirited (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Nov 2022

More often than not, the stirring tunes and the genuineness of the proceedings help paper over Spirited’s rough spots…

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Review of Spirited (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Nov 2022

More often than not, the stirring tunes and the genuineness of the proceedings help paper over Spirited’s rough spots…

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Review of Spirited (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 09 Nov 2022

The teaming of Will Ferrell (making his return to Christmas movies nearly two decades after “Elf”) and Ryan Reynolds delivers the banter…

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Review of Spirited (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 09 Nov 2022

The teaming of Will Ferrell (making his return to Christmas movies nearly two decades after “Elf”) and Ryan Reynolds delivers the banter…

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Review of Guillermo del Toro's Pinocchio (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 09 Nov 2022

It’s all plenty inventive and heart-conscious, grim without being punishing and, in its openness about impermanence and humility, could spark…

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Review of Weird: The Al Yankovic Story (2022)

By Jordan Hoffman (1,025) for Vanity Fair (761) on 09 Nov 2022

You don’t need to be a fan of the accordion-toting Yankovic to get some enjoyment and laughs out of the gleefully absurd Weird, but it sure…

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Review of Spirited (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Nov 2022

Spirited owes its buoyancy primarily to the lively rapport of Ferrell and Reynolds, ultimately playing out the movie’s most convincing love story…

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Review of Spirited (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Nov 2022

Spirited owes its buoyancy primarily to the lively rapport of Ferrell and Reynolds, ultimately playing out the movie’s most convincing love story…

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Review of Airport 1975 (1974)

By Broyax (884) on 09 Nov 2022

C’est dommage, c’était l’occasion pour ce nanar à gros budget de 1974 (eh oui, un nanar avec du fric, un petit peu quand même… rien…

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Review of Guillermo del Toro's Pinocchio (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 09 Nov 2022

Deeper, darker, mordant, with a definite horror movie vibe, it is what you might expect from del Toro, a filmmaker who gave us Pan’s Labyrinth…

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Review of Black Panther: Wakanda Forever (2022)

By Richard Brody (868) for The New Yorker (1,837) on 09 Nov 2022

The images of Wakanda Forever allow for little creative interpretation; the performances are slotted into the plot like puzzle pieces…

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Review of Wendell & Wild (2022)

By Tasha Robinson (753) for Polygon (677) on 09 Nov 2022

This is a movie where the craft dominates the experience, which is thrilling for people watching for the artistry, but less convincing for…

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