Browse Movie Reviews - Page 1,122 of 258,691

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Review of Batman Returns (1992)

By Dollarsmore (1) on 10 Nov 2022

Batman kills in this movie! - average Batman expert. Yeah, and? He also kills in every live-action movie except for Batman & Robin…

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Review of Home Alone (1990)

By Paul_Hybert (1) on 10 Nov 2022

Mark: 7,9 Christmas nostalgia that will always remind me of my careless childhood and spending christmas time with parents…

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Review of Guillermo del Toro's Pinocchio (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 09 Nov 2022

A film which doesn’t sugar-coat the ache of bereavement, the futility of war or the manifold failures of mankind, but which manages to balance…

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Review of Guillermo del Toro's Pinocchio (2022)

By Paul Bradshaw (60) for NME (146) on 09 Nov 2022

Looking and feeling every inch like a film made without compromise, Pinocchio was worth the wait…

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Review of Guillermo del Toro's Pinocchio (2022)

By Alistair Ryder (351) for The Film Stage (3,162) on 09 Nov 2022

Several directors have told the tale of Pinocchio over the years, but none have been anywhere near as successful in reimagining it to fit their…

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Review of Guillermo del Toro's Pinocchio (2022)

By Hannah Shaw-Williams (2) for Slashfilm (971) on 09 Nov 2022

Overall, I wouldn't say Guillermo del Toro's Pinocchio is a dark movie so much as it is a challenging one — refreshingly so, with knotty,…

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Review of Guillermo del Toro's Pinocchio (2022)

By Josh Wise (22) for Slant Magazine (8,298) on 09 Nov 2022

The film is marked by wild flashes of invention, all born of painstaking craft and devotion…

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Review of Guillermo del Toro's Pinocchio (2022)

By Rafaela Sales Ross (19) for The Playlist (3,871) on 09 Nov 2022

Through the eyes of the Mexican filmmaker, the familiar fable is made anew, carefully carved by the hands of an artist eternally enamored with…

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Review of Guillermo del Toro's Pinocchio (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 09 Nov 2022

I feel tempted to say there’s a leaner, stronger film inside this that could have been coaxed out, but in the light of the film’s message…

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Review of Guillermo del Toro's Pinocchio (2022)

By Oli Welsh (16) for Polygon (677) on 09 Nov 2022

It’s an unruly, wild, and tender film that sometimes gets lost but, by the end, finds its way to a very moving state of grace…

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Review of Guillermo del Toro's Pinocchio (2022)

By Guy Lodge (731) for Variety (12,700) on 09 Nov 2022

Unfolding over a faintly indulgent but never dull two hours, this is a rare children’s entertainment that isn’t afraid to perplex kids…

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Review of The Good Nurse (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 09 Nov 2022

Lindholm’s patience with this material kind of outlasts ours…

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Review of Causeway (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 09 Nov 2022

Causeway is slight but immersive, warm with the occasional chill and engaging in ways two very good actors can manage with just the barest…

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Review of Black Panther: Wakanda Forever (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Nov 2022

Black Panther: Wakanda Forever is an overlong blockbuster in search of an editor…

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Review of Till (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Nov 2022

Movie-going isn’t a civics assignment but Till is a sufficiently powerful motion picture that it offers more than a history lesson…

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Review of Till (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Nov 2022

Movie-going isn’t a civics assignment but Till is a sufficiently powerful motion picture that it offers more than a history lesson…

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Review of Aftersun (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 09 Nov 2022

The Scottish writer-director Charlotte Wells’ minimalist masterpiece Aftersun draws us into the lives of a father and daughter on a summer…

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Review of Aftersun (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 09 Nov 2022

The Scottish writer-director Charlotte Wells’ minimalist masterpiece Aftersun draws us into the lives of a father and daughter on a summer…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 09 Nov 2022

Bardo seems to be Iñárritu’s deeply personal — if hermetic — attempt to make sense of the conflicting and unresolved impulses that…

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Review of I'm Totally Fine (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 09 Nov 2022

The leads have a wonderful chemistry, with Bell hitting the right notes of anger and confusion and Morales maintaining the alien’s comic…

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