Browse Movie Reviews - Page 1,088 of 258,691

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Review of Aftersun (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 16 Nov 2022

Aftersun’s greatest achievement is to gradually reveal the imminence of a tragedy that, though never explicitly confirmed, feels inescapable…

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Review of The Fabelmans (2022)

By Richard Brody (868) for The New Yorker (1,837) on 16 Nov 2022

For all its tenderness, empathy, warmth, and verve, The Fabelmans has the feel of mythmaking—a feature-length promotional video for an authorized…

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Review of She Said (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 16 Nov 2022

She Said is a respectful, serious-minded effort that works so hard not to sensationalize the material, it works against its dramatic impact…

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Review of Stutz (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 16 Nov 2022

A film that skillfully navigates vulnerability, brainy insights and artistry…

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Review of The Menu (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 16 Nov 2022

An eat-the-rich satire that would go rotten without its supremely overqualified cast, The Menu is as much fun as it is ephemeral…

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Review of In Her Hands (2022)

By Kate Erbland (681) for IndieWire (3,631) on 16 Nov 2022

In Her Hands is happy to tout Ghafari’s status, the easy headlines about her gender and her age, even tougher stories about the price she’s…

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Review of A Christmas Story Christmas (2022)

By Kate Erbland (681) for IndieWire (3,631) on 16 Nov 2022

It’s not a sequel; it’s a replica…

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Review of Meet Me in the Bathroom (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 16 Nov 2022

Meet Me in the Bathroom is like a well-curated sampler CD of the scene…

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Review of The Menu (2022)

By Jake Coyle (526) for The Associated Press (882) on 16 Nov 2022

Even as The Menu teeters unevenly in its third act and things get gruesomely less appetizing, its greasy last bites succeed in capturing one…

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Review of Bad Axe (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 16 Nov 2022

Bad Axe is a raw and stunning work of immediacy, a frontlines report from Trump country on the immigrant experience, family loyalty and community…

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Review of Guillermo del Toro's Pinocchio (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 16 Nov 2022

GdTP starts out pretty slow and doesn’t speed up for far too long — it’s the rare movie that might accurately be described as more imaginative…

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Review of Slumberland (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 16 Nov 2022

Slumberland is not a terrible movie and it may very well spark your imagination or tug at your heartstrings (though sweet kids crying over…

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Review of Slumberland (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 16 Nov 2022

Slumberland is not a terrible movie and it may very well spark your imagination or tug at your heartstrings (though sweet kids crying over…

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Review of Hellraiser (2022)

By Eva3Si0N (403) on 16 Nov 2022

The 2022 Hellraiser is a mediocre relaunch of the franchise…

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Review of All Quiet on the Western Front (2022)

By Eva3Si0N (403) on 16 Nov 2022

All Quiet on the Western Front is a surprisingly excellent adaptation of a fine novel. I didn't expect a movie like that from Netflix…

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Review of See How They Run (2022)

By Eva3Si0N (403) on 16 Nov 2022

See How They Run is a pleasant light detective comedy. A good cast starring Sam Rockwell…

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Review of She Said (2022)

By Odie Henderson (402) for Boston Globe (6,852) on 16 Nov 2022

She Said is successful where it matters most: It shows just how easy it is for predatory men in power to be kept there by an equally corrupt…

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Review of Slumberland (2022)

By Courtney Howard (393) for The A.V. Club (5,644) on 16 Nov 2022

Playing like an amalgam of Monsters, Inc…

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Review of Slumberland (2022)

By Courtney Howard (393) for The A.V. Club (5,644) on 16 Nov 2022

Playing like an amalgam of Monsters, Inc…

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Review of Stutz (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 16 Nov 2022

Stutz in the end isn’t revelatory per se, but it is deeply heartfelt, intimate, nakedly honest, and engaging…

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Page 1,088 of 258,691

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