Review of The Fabelmans (2022) by Richard Brody for The New Yorker — 16 Nov 2022
For all its tenderness, empathy, warmth, and verve, The Fabelmans has the feel of mythmaking—a feature-length promotional video for an authorized biography of a filmmaker who, if far from self-made, is in any case self-propelled.
What’s missing is a sense of history.
You can read the full review where it was originally posted online.
This review of The Fabelmans (2022) was written by Richard Brody and published by The New Yorker on 16 Nov 2022.
The Fabelmans has generally received very positive reviews.
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