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Review of The Eternal Daughter (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 30 Nov 2022

The Eternal Daughter doesn’t scare you in the traditional sense as much as it moves you, and that’s every bit as powerful an achievement…

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Review of Violent Night (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 30 Nov 2022

To say Violent Night isn’t for everyone overstates the obvious…

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Review of Darby and the Dead (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 30 Nov 2022

Even Downs, so appealing on Nickelodeon’s “Henry Danger,” can’t fight the forces of this soulless script (which was based on a potentially…

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Review of Santa Camp (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 30 Nov 2022

Sometimes challenging and frequently moving, this movie considers the deeper reasons why Santa Claus inspires people — historically and now…

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Review of All the Beauty and the Bloodshed (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 30 Nov 2022

Both complex and rawly immediate, All the Beauty and the Bloodshed, Laura Poitras’s film about the 69-year-old photographic artist and activist…

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Review of Emancipation (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 30 Nov 2022

Emancipation is a finely crafted, unflinching pursuit thriller about a slave seizing his freedom in 1860s Louisiana, and the first notable…

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Review of Emancipation (2022)

By Peter Debruge (1,557) for Variety (12,700) on 30 Nov 2022

Anchored by an ultra-focused and unusually low-key Will Smith as Peter, Emancipation can be an intense and at times almost unbearable thing…

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Review of Emancipation (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 30 Nov 2022

The more the movie pulls away from Peter’s perspective, the more it undercuts its own tension…

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Review of Emancipation (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Nov 2022

American movie-watchers are used to consuming their history lessons with a heavy layer of artificial butter on top, but William N…

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Review of Lady Chatterley's Lover (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 30 Nov 2022

While witnessing the physical act of love on screen can sometimes transcend into something with great depth, this is, sorry to say, not one…

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Review of The Eternal Daughter (2022)

By Richard Brody (868) for The New Yorker (1,837) on 30 Nov 2022

The Eternal Daughter is very much a two-hander for one actor, an astonishing tour de force for Swinton’s art and for Hogg’s writing and…

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Review of Violent Night (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 30 Nov 2022

Violent Night isn’t a great action movie, or even a very good one, but George Costanza’s old assessment of Home Alone rings true: “The…

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Review of White Noise (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Nov 2022

There is a distinct, and welcome, lack of sentimentality here, too, with Baumbach able to swerve the tone into a more cerebral version of National…

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Review of White Noise (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Nov 2022

There is a distinct, and welcome, lack of sentimentality here, too, with Baumbach able to swerve the tone into a more cerebral version of National…

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Review of 2nd Chance (2022)

By Chuck Bowen (756) for Slant Magazine (8,298) on 30 Nov 2022

2nd Chance a terrific American tall tale as well as a cautionary tale and a ripping good yarn…

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Review of Mr Malcolm's List (2022)

By Mauro_Lanari (665) on 30 Nov 2022

(Mauro Lanari) Metanarrative: pure and free love or according to manipulative rules of the game…

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Review of Bones and All (2022)

By David Sims (534) for The Atlantic (1,046) on 30 Nov 2022

Even with the gore and the gorgeous visuals that typically accompany a Guadagnino project, Bones and All too often feels frustratingly tame…

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Review of Violent Night (2022)

By Pat Padua (495) for Washington Post (9,851) on 30 Nov 2022

Behind all the gore-splattered walls and domestic rancor lies a sweet-and-sour bedtime story of good triumphing over evil…

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Review of Emancipation (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 30 Nov 2022

Emancipation, which is an otherwise well-tread period drama about the horrors of slavery, features more of Smith’s rich emotionality and…

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Review of The Inspection (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 30 Nov 2022

An intensely personal and truthful, if not entirely fact-based, account of joining the Marines as a gay Black man in the “don’t ask, don’t…

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