Review of The Eternal Daughter (2022) by Richard Brody for The New Yorker — 30 Nov 2022
The Eternal Daughter is very much a two-hander for one actor, an astonishing tour de force for Swinton’s art and for Hogg’s writing and direction—all the more so inasmuch as it’s a sequel, the third in a series.
You can read the full review where it was originally posted online.
This review of The Eternal Daughter (2022) was written by Richard Brody and published by The New Yorker on 30 Nov 2022.
The Eternal Daughter has generally received positive reviews.
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