Movie Reviews Published by Vanity Fair - Page 21 of 39

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Review of Clara's Ghost (2018)

By Jordan Hoffman (1,025) for Vanity Fair (761) on 29 Sep 2018

This extremely homemade film, written and directed by Bridey Elliott and starring her own mostly-famous family, is extremely funny at times…

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Review of Night School (2018)

By Richard Lawson (539) for Vanity Fair (761) on 25 Sep 2018

Let me just rain on your parade upfront, to get it out of the way: Night School is not the big Girls Trip follow-up film for Tiffany Haddish…

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Review of High Life (2019)

By K. Austin Collins (343) for Vanity Fair (761) on 14 Sep 2018

The movie seems to be a study of the artificial limits we put on our desires—and the ways those desires naturally betray us…

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Review of High Life (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 11 Sep 2018

The movie seems to be a study of the artificial limits we put on our desires—and the ways those desires naturally betray us…

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Review of Widows (2018)

By Richard Lawson (539) for Vanity Fair (761) on 10 Sep 2018

McQueen has made a film that’s sleek and muscular, a polished product that has a barb-wire ribbon of tenacious political fury running through…

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Review of Bisbee '17 (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 10 Sep 2018

It’s interested in the continuum between then and now—and in the ways our own knowledge of community, and of ourselves in the world, can…

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Review of If Beale Street Could Talk (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 10 Sep 2018

What Jenkins gets most right—what astonishes me the most about this film—is Baldwin’s vast affection for the broad varieties of black…

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Review of The Sisters Brothers (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 09 Sep 2018

The film is rich with male feelings and even manages to have a sense of humor about its own sadness…

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Review of The Hate U Give (2018)

By Katey Rich (412) for Vanity Fair (761) on 09 Sep 2018

It doesn’t take a dystopian future or a sci-fi bent to present a teenage girl who faces enormous stakes and near-constant potential for violence,…

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Review of A Star Is Born (2018)

By Richard Lawson (539) for Vanity Fair (761) on 07 Sep 2018

When it hits its highest, most resonant notes, Bradley Cooper’s remake of A Star Is Born—starring the director alongside pop icon Lady…

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Review of The Favourite (2018)

By Richard Lawson (539) for Vanity Fair (761) on 02 Sep 2018

The Favourite is a pleasure to watch. It’s weird without being alienating, dirty without being cheap…

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Review of First Man (2018)

By Richard Lawson (539) for Vanity Fair (761) on 01 Sep 2018

There are indeed stretches of the film—particularly its gripping and just a little miserable opening sequence—when it soars (argh, sorry)…

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Review of Boy Erased (2018)

By Richard Lawson (539) for Vanity Fair (761) on 31 Aug 2018

Joel Edgerton’s earnest, solidly made film will be most effective on, and maybe necessary for, those immediately suffering under the crush…

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Review of Roma (2018)

By Richard Lawson (539) for Vanity Fair (761) on 31 Aug 2018

This period epic...is so full of dazzlingly intricate visual poetry, so teeming with sensory spirit, that trying to review it is a bit like…

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Review of The Old Man & the Gun (2018)

By Richard Lawson (539) for Vanity Fair (761) on 30 Aug 2018

Mostly, the cat-and-mouse of Lowery’s film is just reason enough to contemplate the shuffling everydayness of life, of how we are ever aware…

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Review of Support the Girls (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 26 Aug 2018

Support the Girls is not a comedy merely because it’s funny (which it is), or because its tumultuous rhythm throws these women’s lives…

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Review of Minding the Gap (2018)

By K. Austin Collins (343) for Vanity Fair (761) on 22 Aug 2018

In a world full of images—full of people recording themselves and their friends doing dumb shit, or documenting attractive versions of themselves—Bing’s…

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Review of The Happytime Murders (2018)

By Richard Lawson (539) for Vanity Fair (761) on 21 Aug 2018

Not a single bit lands in The Happytime Murders…

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Review of Juliet, Naked (2018)

By Richard Lawson (539) for Vanity Fair (761) on 20 Aug 2018

Hawke and Byrne have a nice chemistry, handling an offbeat and initially epistolary romance with wary sweetness…

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Review of The Wife (2017)

By Richard Lawson (539) for Vanity Fair (761) on 15 Aug 2018

I wouldn’t call The Wife middling, exactly—but for all its soapy seriousness, it can’t match the genuine heft of Close’s craftwork…

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