Movie Reviews Published by The Seattle Times - Page 30 of 49

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Review of Patriots Day (2016)

By John Hartl (735) for The Seattle Times (964) on 11 Jan 2017

For all its rough edges and gruesome touches, Patriots Day is a heartfelt and ambitious attempt to turn mayhem into something that’s emotionally…

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Review of Live by Night (2016)

By Soren Andersen (496) for The Seattle Times (964) on 11 Jan 2017

Affleck sports plenty of snappy ’20s fashions, tailored double-breasted suits, often cream-colored, and elegant Borsalino-style fedoras…

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Review of Silence (2016)

By Soren Andersen (496) for The Seattle Times (964) on 04 Jan 2017

The silence in Silence is deep and profound…

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Review of A Monster Calls (2016)

By Moira Macdonald (1,892) for The Seattle Times (964) on 04 Jan 2017

Older audiences braced for tragedy may be drawn to its imaginative visuals — the stories told by the monster are rendered in delicate, painterly…

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Review of Silence (2016)

By Soren Andersen (496) for The Seattle Times (964) on 04 Jan 2017

The silence in Silence is deep and profound…

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Review of Silence (2016)

By Soren Andersen (496) for The Seattle Times (964) on 04 Jan 2017

The silence in Silence is deep and profound…

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Review of Eden (2015)

By Moira Macdonald (1,892) for The Seattle Times (964) on 22 Dec 2016

There are several ways you can watch Elle, only one of which is mildly enjoyable…

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Review of Why Him? (2016)

By Soren Andersen (496) for The Seattle Times (964) on 22 Dec 2016

What say we tiptoe quietly away and pretend this movie never happened…

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Review of Elle (2016)

By Moira Macdonald (1,892) for The Seattle Times (964) on 22 Dec 2016

There are several ways you can watch Elle, only one of which is mildly enjoyable…

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Review of Assassin's Creed (2016)

By Soren Andersen (496) for The Seattle Times (964) on 21 Dec 2016

The picture has an undeniable rough stylishness...but in terms of coherence of storytelling it leaves the audience choking on all that swirling dust…

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Review of Sing (2016)

By Moira Macdonald (1,892) for The Seattle Times (964) on 20 Dec 2016

It’s hard to get too excited about Sing, which takes a bit too long to travel its familiar path, but it’s also quite impossible to dislike it…

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Review of Passengers (2016)

By Moira Macdonald (1,892) for The Seattle Times (964) on 20 Dec 2016

Passengers turns out to be a very strange journey indeed; here’s hoping these two team up again, in something more worthy of them…

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Review of Solace (2015)

By Katie Walsh (1,279) for The Seattle Times (964) on 15 Dec 2016

The film is ponderous, the performances mostly subdued…

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Review of The Hollow Point (2016)

By Tom Keogh (466) for The Seattle Times (964) on 14 Dec 2016

Within this uncertain world, Lopéz-Gallego relishes such noir staples as fatalistic shadows, eruptive mayhem and terse, ironic dialogue…

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Review of Rogue One: A Star Wars Story (2016)

By Soren Andersen (496) for The Seattle Times (964) on 13 Dec 2016

The action sequences, both on the ground and in space, are rousingly staged. But the losses incurred in those sequences are sobering…

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Review of La Flor (2019)

By Moira Macdonald (1,892) for The Seattle Times (964) on 13 Dec 2016

Like a gift from the movie gods, here comes Damien Chazelle’s dreamy La La Land, right when a lot of us are in desperate need of some light…

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Review of Barracuda (2017)

By Moira Macdonald (1,892) for The Seattle Times (964) on 13 Dec 2016

Like a gift from the movie gods, here comes Damien Chazelle’s dreamy La La Land, right when a lot of us are in desperate need of some light…

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Review of Ali (2001)

By Moira Macdonald (1,892) for The Seattle Times (964) on 07 Dec 2016

Mann, as he showed two years ago in The Insider, is a wonderfully idiosyncratic storyteller, sketching out a plot line with quick scenes, jumping…

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Review of Burn Country (2016)

By Soren Andersen (496) for The Seattle Times (964) on 07 Dec 2016

The performances are first rate, particularly Rains’ work in the lead role…

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Review of Old Stone (2016)

By Soren Andersen (496) for The Seattle Times (964) on 01 Dec 2016

Director Ma has made a quietly merciless picture, a horror movie, really, about a decent man, an ordinary man, left alone, bereft, embittered,…

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