Review of The Hollow Point (2016) by Tom Keogh for The Seattle Times — 14 Dec 2016
Within this uncertain world, Lopéz-Gallego relishes such noir staples as fatalistic shadows, eruptive mayhem and terse, ironic dialogue. But he and his cinematographer, Jose David Montero, also carve out fresh visual territory.
You can read the full review where it was originally posted online.
This review of The Hollow Point (2016) was written by Tom Keogh and published by The Seattle Times on 14 Dec 2016.
The Hollow Point has generally received mixed reviews.
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