Movie Reviews Published by The Playlist - Page 16 of 194

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Review of Hustle (2022)

By Marshall Shaffer (93) for The Playlist (3,871) on 02 Jun 2022

There’s enough craft and heart involved in “Hustle” to keep it from feeling like just a league PSA or an algorithmically crafted Netflix…

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Review of God's Creatures (2022)

By Gregory Ellwood (229) for The Playlist (3,871) on 28 May 2022

While the entire cast is superb, it’s the rich performances from Watson and Mescal who elevate the material beyond that aforementioned air…

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Review of War Pony (2023)

By Gregory Ellwood (229) for The Playlist (3,871) on 28 May 2022

At its best, a welcome addition to the increasing number of contemporary Native American stories seen in the films such as “Songs My Brother…

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Review of Showing Up (2023)

By Rodrigo Perez (382) for The Playlist (3,871) on 28 May 2022

Like the discreet, uncluttered canvass of her works— minimalist, spare, and with just enough inviting details to inspire your curiosity—Reichardt…

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Review of Funny Pages (2022)

By Charles Bramesco (223) for The Playlist (3,871) on 28 May 2022

A consistently funny yet narratively undercooked coming-of-age story…

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Review of Broker (2022)

By Iana Murray (14) for The Playlist (3,871) on 27 May 2022

Absorbing and heartwarming, it’s easy to forget that this tender drama is about human trafficking…

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Review of EO (2022)

By Rory O'connor (154) for The Playlist (3,871) on 26 May 2022

Eo is a joyful, experimental, and strangely moving piece of filmmaking that doesn’t always take itself seriously—yet it is nothing if not sincere…

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Review of Elvis (2022)

By Charles Bramesco (223) for The Playlist (3,871) on 26 May 2022

Luhrmann sees the chief utility of Elvis (or “Booby,” as his loved ones called him) as a pedestal for his everything-all-the-time maximalism,…

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Review of Nostalgia (2023)

By Elena Lazic (92) for The Playlist (3,871) on 26 May 2022

The film ends on a slightly too simplistic, almost crass note regarding that point, but it cannot take away from its overall highly sensitive…

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Review of Look at Me: XXXTENTACION (2022)

By Christian Gallichio (84) for The Playlist (3,871) on 26 May 2022

Look at Me” provides a fascinating overview of Onfroy’s meteoric rise in the music industry, while also broadly touching on the various…

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Review of Fire Island (2022)

By Manuel Betancourt (27) for The Playlist (3,871) on 26 May 2022

There may be romantic closure at the end of “Fire Island” but not a sense of finality, just a vision of endless possibilities—a horizon…

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Review of Fire Island (2023)

By Manuel Betancourt (27) for The Playlist (3,871) on 26 May 2022

There may be romantic closure at the end of “Fire Island” but not a sense of finality, just a vision of endless possibilities—a horizon…

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Review of Stars at Noon (2022)

By Charles Bramesco (223) for The Playlist (3,871) on 26 May 2022

When you’re this good, the weakest entry in your filmography can still be largely inoffensive, far from fiasco territory…

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Review of Holy Spider (2022)

By Jihane Bousfiha (1) for The Playlist (3,871) on 26 May 2022

As a straight-forward thriller, Holy Spider checks off all the boxes that make it an intriguing watch: it maintains a tense tone and has a…

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Review of Enys Men (2023)

By Jack King (15) for The Playlist (3,871) on 25 May 2022

The witchy atmosphere Jenkin conjures is spine-tinglingly devilish, the poetic manifestation of the subject’s deep grief, ever-ambiguous…

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Review of Moonage Daydream (2022)

By Jack King (15) for The Playlist (3,871) on 24 May 2022

The scope shrinks in the final third, as Morgen seemingly retreats into a more comfortable linear chronology — the last twenty years of his…

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Review of Decision to Leave (2022)

By Iana Murray (14) for The Playlist (3,871) on 24 May 2022

Decision to Leave is ultimately a seductive romance, one made all the more fascinating by the boundaries the characters tread but never dare…

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Review of Corsage (2022)

By Rafaela Sales Ross (19) for The Playlist (3,871) on 23 May 2022

Corsage succeeds precisely by ditching the myth of objectivity in favor of portraying a woman eternalized by the glory and dolor of her imperfections…

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Review of Crimes of the Future (2022)

By Charles Bramesco (223) for The Playlist (3,871) on 23 May 2022

Just as [Cronenberg’s] characters can live in a suspended state of rot, he can thrive within a world and culture in its death throes…

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Review of The Bob's Burgers Movie (2022)

By Chris Feil (37) for The Playlist (3,871) on 23 May 2022

“The Bob’s Burgers Movie” is nevertheless satisfying for its undiminished comic brilliance throughout, and for how confidently its sensibility…

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