Review of Elvis (2022) by Charles Bramesco for The Playlist — 26 May 2022
Luhrmann sees the chief utility of Elvis (or “Booby,” as his loved ones called him) as a pedestal for his everything-all-the-time maximalism, the King of Rock and Roll’s taste for excess in harmony with the Aussie auteur’s desire to shove shock-and-awe cinematic effect down his viewers’ throats until we choke to death on whip zooms.
You can read the full review where it was originally posted online.
This review of Elvis (2022) was written by Charles Bramesco and published by The Playlist on 26 May 2022.
Elvis has generally received positive reviews.
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