Movie Reviews Published by The New Yorker - Page 11 of 92

201-220 of 1,837 Reviews

Sort by:

Review of Dune (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 25 Oct 2021

One’s eye is at first dazzled, then sated, and eventually tired by this pitiless inflation of scale…

Read Review

Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 25 Oct 2021

It would be churlish to deny that The French Dispatch is a box of delights; Wright, in particular, is a joy as the sauntering hedonist…

Read Review

Review of The Last Duel (2021)

By Richard Brody (868) for The New Yorker (1,837) on 18 Oct 2021

The most disturbing and dissonant aspect of The Last Duel involves the filming of the sexual crime at its center…

Read Review

Review of No Time to Die (2021)

By Richard Brody (868) for The New Yorker (1,837) on 12 Oct 2021

The formulaic drama is of a piece with the movie’s action sequences, which exhaust their ingenuity from the get-go, with the Matera chase…

Read Review

Review of Lamb (2021)

By Richard Brody (868) for The New Yorker (1,837) on 11 Oct 2021

Lamb preens and strains to be admired even as it reduces its characters to pieces on a game board and its actors to puppets…

Read Review

Review of No Time to Die (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 11 Oct 2021

No Time to Die has a heavy heart, and right now, more than ever, we could use a light one…

Read Review

Review of LAMB (2021)

By Richard Brody (868) for The New Yorker (1,837) on 11 Oct 2021

Lamb preens and strains to be admired even as it reduces its characters to pieces on a game board and its actors to puppets…

Read Review

Review of Titane (2021)

By Richard Brody (868) for The New Yorker (1,837) on 06 Oct 2021

Despite its physical horrors, the movie is also a celebration of the body, of the bond between pleasure and pain, agony and ecstasy—and that…

Read Review

Review of The Many Saints of Newark (2021)

By Richard Brody (868) for The New Yorker (1,837) on 04 Oct 2021

Over six seasons The Sopranos at least compensated for its reductive aesthetic with complex patterns of narrative information…

Read Review

Review of The Eyes of Tammy Faye (2021)

By Richard Brody (868) for The New Yorker (1,837) on 27 Sep 2021

In short, [Showalter] can’t see Tammy Faye as a person, rather than as a character in a media drama…

Read Review

Review of I'm Your Man (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 20 Sep 2021

Never, though, has the evolution of an automaton been depicted with the extensive grace and wit that Dan Stevens, speaking good German with…

Read Review

Review of The Eyes of Tammy Faye (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 20 Sep 2021

Jones is as formidable as ever, and Vincent D’Onofrio gives a sombre and riveting portrayal of Jerry Falwell, the Baptist Savonarola, who…

Read Review

Review of Cry Macho (2021)

By Richard Brody (868) for The New Yorker (1,837) on 16 Sep 2021

Cry Macho doesn’t resound with the hectic astonishment of The 15:17 to Paris or the tragic imagination of Sully, but it delivers whispers…

Read Review

Review of The Card Counter (2021)

By Richard Brody (868) for The New Yorker (1,837) on 14 Sep 2021

Above all, the film decries the impunity that the war’s masterminds and the country’s leaders enjoyed while William and other frontline…

Read Review

Review of The Nowhere Inn (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 13 Sep 2021

As you’d imagine, the entire shebang is so naggingly self-referential, and so noisy with in-jokes, that it should, by rights, disappear up…

Read Review

Review of The Card Counter (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 13 Sep 2021

What’s discomforting about The Card Counter is that Schrader builds this strong moral backdrop for his characters and then allows them to…

Read Review

Review of Language Lessons (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 07 Sep 2021

As a performer, Morales is laughably smart, sympathetic, and engaging, and what’s so clever about Language Lessons is the deployment of that allure…

Read Review

Review of Azor (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 07 Sep 2021

Azor is Fontana’s first feature, and what’s impressive is how coolly he avoids the temptation to put on a big show, preferring more delicate…

Read Review

Review of The Year of the Everlasting Storm (2021)

By Richard Brody (868) for The New Yorker (1,837) on 03 Sep 2021

The films range widely in form—documentary, fiction, hybrid, and unclassifiable—as well as in tone, subject, style, and, for that matter,…

Read Review

Review of Candyman (2021)

By Richard Brody (868) for The New Yorker (1,837) on 26 Aug 2021

For all its symbolic heft and keen-eyed flair, there’s a scattershot quality to Candyman that has to do with the seemingly inescapable demands…

Read Review

Page 11 of 92

Related publishers:

New Yorker (1,403)

The New Yorker features reviews by:

Popular Movies Right Now

Godzilla vs. Kong

2021

66%184 Reviews

Avengers: Endgame

2019

86%432 Reviews

Mad Max: Fury Road

2015

83%1,378 Reviews

Deadpool 2

2018

76%1,635 Reviews

Where the Crawdads Sing

2022

63%92 Reviews

Talk to Me

2023

74%83 Reviews

Three Thousand Years of Longing

2022

65%84 Reviews

Babylon

2022

68%144 Reviews

Mission: Impossible - Dead Reckoning Part One

2023

79%186 Reviews

Interstellar

2014

83%1,261 Reviews