Movie Reviews Published by The New York Times - Page 105 of 493

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Review of On the President's Orders (2019)

By Ben Kenigsberg (863) for The New York Times (9,847) on 17 Oct 2019

The thesis of On the President’s Orders isn’t terribly original, but in a needlessly roundabout way, it makes its case that these killings…

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Review of The Lighthouse (2019)

By Manohla Dargis (1,909) for The New York Times (9,847) on 16 Oct 2019

Eggers meticulously sets the scene, adds texture and builds tension and mystery from men locked in battle and sometimes in embrace…

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Review of Zombieland: Double Tap (2019)

By A.o. Scott (2,100) for The New York Times (9,847) on 16 Oct 2019

Zombieland: Double Tap sets the bar low and steps easily over it, which makes it better than a lot of recent big-screen comedies…

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Review of The Lighthouse (2019)

By Manohla Dargis (1,909) for The New York Times (9,847) on 16 Oct 2019

Eggers meticulously sets the scene, adds texture and builds tension and mystery from men locked in battle and sometimes in embrace…

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Review of Stuffed (2019)

By Ben Kenigsberg (863) for The New York Times (9,847) on 15 Oct 2019

While Derham banks on the surprise factor of seeing taxidermists acting as stealth conservationists, the film leaves the impression that she…

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Review of El Camino: A Breaking Bad Movie (2019)

By James Poniewozik (6) for The New York Times (9,847) on 11 Oct 2019

Paul’s performance was often overshadowed by Cranston’s during the series’s run, but he’s phenomenal here…

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Review of Jexi (2019)

By Glenn Kenny (1,728) for The New York Times (9,847) on 11 Oct 2019

While its mode of argumentation gets weaker as the standard-issue boy-meets-girl-meets-carpe-diem plot progresses, the appealing cast and brisk…

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Review of Little Monsters (2019)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 10 Oct 2019

The charismatic Nyong’o is easily the best part of this feeble Australian horror comedy…

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Review of Parasite (2019)

By Manohla Dargis (1,909) for The New York Times (9,847) on 10 Oct 2019

Bong’s command of the medium is thrilling…

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Review of Fantastic Fungi (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Oct 2019

A charming blend of science and conjecture, Fantastic Fungi wants to free your mind…

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Review of The Sky Is Pink (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 10 Oct 2019

The fantasy of The Sky Is Pink is that Aisha’s death allows her to see her mother with adoring omniscience, and the film is never more pleasing…

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Review of The King (2019)

By Manohla Dargis (1,909) for The New York Times (9,847) on 10 Oct 2019

What Michôd never manages to make clear is what we are to make of this version’s nationalism, its glorification of war, its ambivalence…

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Review of Lucky Day (2019)

By Glenn Kenny (1,728) for The New York Times (9,847) on 10 Oct 2019

If you’re one of those people who believes the Tarantino of today still needs to “grow up,” this movie will provide an oblique but vivid…

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Review of Emanuel (2019)

By Ben Kenigsberg (863) for The New York Times (9,847) on 10 Oct 2019

The movie is primarily an act of bearing witness that does not ask to be judged on conventional filmmaking terms…

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Review of The Addams Family (2019)

By Ben Kenigsberg (863) for The New York Times (9,847) on 10 Oct 2019

If this installment lays on the moral (all families are freaky in their own ways) a bit thick, it has just enough wit and weirdness to honor…

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Review of House of D (2004)

By Dana Stevens (1,435) for The New York Times (9,847) on 09 Oct 2019

The burden of the story, which is maudlin and entirely unbelievable, weighs down even the more credible performances…

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Review of Gemini Man (2019)

By A.o. Scott (2,100) for The New York Times (9,847) on 09 Oct 2019

The idea of confronting an unknown second self is full of rich, uncanny potential — there’s a literary tradition going back at least to…

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Review of Dolemite Is My Name (2019)

By A.o. Scott (2,100) for The New York Times (9,847) on 03 Oct 2019

It has a loose, friendly, house-party vibe, and it’s impossible not to have a good time watching the actors have a good time with one another…

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Review of Celebration (2019)

By Glenn Kenny (1,728) for The New York Times (9,847) on 03 Oct 2019

Saint Laurent was essential to 20th-century culture, and Celebration shows the inevitable fading of glory as well as the enduring features…

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Review of Lucy in the Sky (2019)

By Manohla Dargis (1,909) for The New York Times (9,847) on 03 Oct 2019

It’s a dispiriting mess and waste of talent, sunk by a lack of focus, misguided choices and insistently unproductive, at times incoherent…

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