Review of The Sky Is Pink (2019) by Teo Bugbee for The New York Times — 10 Oct 2019
The fantasy of The Sky Is Pink is that Aisha’s death allows her to see her mother with adoring omniscience, and the film is never more pleasing than when it revels in the glamorous melodrama of a superstar performing motherhood.
You can read the full review where it was originally posted online.
This review of The Sky Is Pink (2019) was written by Teo Bugbee and published by The New York Times on 10 Oct 2019.
The Sky Is Pink has generally received positive reviews.
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