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Last updated: 27 Jul 2026 at 01:26 UTC

Movie Reviews Published by The New York Review of Books - Page 11 of 12

201-220 of 223 Reviews

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Review of Weiner (2016)

By Cathleen Schine (2) for The New York Review of Books (223) on 16 Aug 2017

The documentary is achingly confusing and true in a way we often associate with fiction…

Review of Marketa Lazarová (1967)

By J. Hoberman (756) for The New York Review of Books (223) on 15 Aug 2017

For all its outrageous primitivism, and brutality, Vláčil's mad epic was a harbinger of the Prague Spring and undoubtedly, during the course…

Review of Gravity (2013)

By J. Hoberman (756) for The New York Review of Books (223) on 15 Aug 2017

A survival drama set almost entirely in the unfathomable abyss of outer space, Gravity is something now quite rare -- a truly popular big-budget…

Review of Into the Abyss (2011)

By Lorrie Moore (3) for The New York Review of Books (223) on 12 Jul 2017

Herzog insinuatingly and gently coaxes his interviewees while his camera registers a more ambiguous, startled fixation on people and places,…

Review of Blue Is the Warmest Color (2013)

By Lorrie Moore (3) for The New York Review of Books (223) on 12 Jul 2017

Largely what is wrong with Kechiche's overdirected ecstatic scenes is artistic; they go on too long and are emotionally uninformative, almost…

Review of The Beguiled (2017)

By J. Hoberman (756) for The New York Review of Books (223) on 12 Jul 2017

Coppola's remake is more contemplative and psychologically complex than the original, as well as more suspenseful…

Review of Maps to the Stars (2014)

By Francine Prose (12) for The New York Review of Books (223) on 15 Jun 2017

Part of what's exciting about Maps to the Stars, David Cronenberg and Bruce Wagner's new film about Los Angeles, is the inventiveness and ease…

Review of What Maisie Knew (2013)

By Francine Prose (12) for The New York Review of Books (223) on 15 Jun 2017

Henry James's complicated and courageous novel has been distilled down to a screed about the dangers and consequences of bad parenting…

Review of Carol (2015)

By Francine Prose (12) for The New York Review of Books (223) on 15 Jun 2017

Among the virtues of Todd Haynes's new film, Carol, is the delicacy, the patience, and the sheer amount of screen time that it lavishes on…

Review of Enough Said (2013)

By Francine Prose (12) for The New York Review of Books (223) on 15 Jun 2017

Give us something better and deeper than what we've come to expect from Hollywood, and, like the audience with which I watched the film, we'll…

Review of Post Tenebras Lux (2012)

By Francine Prose (12) for The New York Review of Books (223) on 15 Jun 2017

The film is at once brilliant and banal, original and derivative, heartfelt and pretentious…

Review of Forbidden Films (2014)

By Francine Prose (12) for The New York Review of Books (223) on 15 Jun 2017

Moeller's documentary has taken an important step toward opening a discussion that can only be more useful than silence, or than the warehousing…

Review of Hail, Caesar! (2016)

By Francine Prose (12) for The New York Review of Books (223) on 28 Mar 2017

Hail, Caesar…

Review of The Last Temptation of Christ (1988)

By Garry Wills (3) for The New York Review of Books (223) on 28 Mar 2017

It is better to trust the visual narrative in this movie than the dialogue, since the visual scenes are so often taken from the rich iconography…

Review of Two Days, One Night (2014)

By J. Hoberman (756) for The New York Review of Books (223) on 27 Mar 2017

[Two Days, One Night features] Marion Cotillard in what may be the most self-effacing, yet bravura performance of the year…

Review of Alice's Restaurant (1969)

By Ellen Willis (2) for The New York Review of Books (223) on 27 Mar 2017

In spite of the clowning of Arlo Guthrie [Alice's Restaurant] is one of the more depressing movies I've seen lately, so much more so than Easy…

Review of The Hobbit: An Unexpected Journey (2012)

By J. Hoberman (756) for The New York Review of Books (223) on 27 Mar 2017

There is a good deal to be said about Peter Jackson's long-awaited and exceedingly long adaptation of J.R.R. Tolkien's The Hobbit, most of it bad…

Review of Snowpiercer (2013)

By J. Hoberman (756) for The New York Review of Books (223) on 27 Mar 2017

A madcap addition to the comic-book-derived movies that have dominated cinematic summer fare…

Review of Toni Erdmann (2016)

By Francine Prose (12) for The New York Review of Books (223) on 27 Mar 2017

Every performance in Toni Erdmann, particularly those of Simonischek and Hüller, is spectacular, and we register the actors' skill at the…

Review of Get Out (2017)

By J. Hoberman (756) for The New York Review of Books (223) on 27 Mar 2017

Jordan Peele's semi-parodic horror film Get Out has a complexity worthy of its historical moment…

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