Movie Reviews Published by The Hollywood Reporter - Page 78 of 353

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Review of I'm Leaving Now (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 05 Sep 2019

The blurring of the lines between fiction and fact still mostly feels like a crutch or an affectation…

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Review of Blink of an Eye (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Sep 2019

The picture will naturally hold its biggest appeal for racing buffs but may also prove appealing to nonfans thanks to the moving story at its core…

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Review of First Cow (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 04 Sep 2019

While not a lot happens in First Cow by the standards of most two-hour narrative films, and some may wish for a less open-ended conclusion,…

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Review of Becoming Nobody (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Sep 2019

Unfortunately, although Becoming Nobody will prove a must-see for Ram Dass' ardent fans, and they are certainly legion, the film proves frustratingly…

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Review of The Aeronauts (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 04 Sep 2019

The Aeronauts achieves impressive elevation as a bracing and sympathetic account of two early and very different aviators who together reached…

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Review of The Assistant (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 04 Sep 2019

The central character never develops in an interesting way…

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Review of The Assistant (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 04 Sep 2019

The central character never develops in an interesting way…

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Review of The King (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Sep 2019

This is a large-canvas treatment both epic and intimate in scale…

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Review of It Chapter Two (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 03 Sep 2019

Though Muschietti occasionally finds lovely filmic ways to transition from one to the next, the stories don't get to resonate with each other…

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Review of The Two Popes (2019)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 03 Sep 2019

Anchored by two outstanding performances from Anthony Hopkins and Jonathan Pryce, the film is a triumph of writing as well as unostentatious…

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Review of The Laundromat (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Sep 2019

Despite the filmmaker's obvious smarts and oft-proven skills, there's a kind of off-putting effrontery about Soderbergh's approach here that…

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Review of Uncut Gems (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Sep 2019

The Safdies and the cast go deep enough here to make the film a genuinely human one…

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Review of Wasp Network (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Sep 2019

The heart of this complex material for too long remains elusive to Assayas, and he locates it too late to give the choppy drama cohesion…

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Review of Judy (2019)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 31 Aug 2019

Judy is three-quarters of a good movie that would have been even better if it trusted the urgency of the last act of Garland’s life — and…

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Review of Joker (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 31 Aug 2019

This is Phoenix's film, and he inhabits it with an insanity by turns pitiful and fearsome in an out-there performance that's no laughing matter…

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Review of Waves (2019)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 31 Aug 2019

Technically, it wouldn't be wrong to call Waves a teen drama, but that generic label doesn't begin to convey the emotional scope of this tender,…

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Review of Waves (2019)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 31 Aug 2019

Technically, it wouldn't be wrong to call Waves a teen drama, but that generic label doesn't begin to convey the emotional scope of this tender,…

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Review of Judy (2019)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 31 Aug 2019

Judy is three-quarters of a good movie that would have been even better if it trusted the urgency of the last act of Garland’s life — and…

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Review of A Rainy Day in New York (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 30 Aug 2019

Merely a watchable rehashing of his preferential themes and plot points, set in a present-day Manhattan so nostalgic and unreal it might as…

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Review of Ford v Ferrari (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 30 Aug 2019

The film’s lively dynamics owe much to the bristly nature of nearly every relationship and interaction in the film…

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