Movie Reviews Published by The Hollywood Reporter - Page 77 of 353

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Review of The Burnt Orange Heresy (2020)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 09 Sep 2019

The screenplay and the actors ooze charm as well as intelligence early on but the second half is more like a sleek thriller, something that's…

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Review of Downton Abbey (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 09 Sep 2019

Downton 2.0 is literally bigger, broader, more gem-encrusted, punctuated with more drone shots and monarchist pomp, and has all the major cast…

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Review of Babyteeth (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Sep 2019

The movie — like the performances of its small ensemble — works best when the director gets out of her own way, forgetting her aversion…

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Review of Endings, Beginnings (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Sep 2019

The movie aims to make Daphne's journey raw and real, but mostly it's just insipid…

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Review of Abominable (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Sep 2019

It’s a little too treacly and childish in places, with a storyline that goes exactly where you expect…

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Review of Bad Education (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Sep 2019

It’s perhaps less flamboyantly enjoyable than Finley’s first feature, but it also digs deeper into the souls of its characters, asking…

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Review of Guest of Honour (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Sep 2019

Guest of Honour feels like a failed attempt to tame the unwieldy story of a complicated novel…

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Review of Jojo Rabbit (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 09 Sep 2019

The cartoonishness of it, while amusing at the outset, doesn’t wear well as matters deepen and progress…

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Review of Dolemite Is My Name (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 08 Sep 2019

Odd, then, that [Brewer and Murphy's] Dolemite Is My Name is such a conventional-feeling biopic, one with its share of laughs and surprising…

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Review of Blackbird (2020)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 08 Sep 2019

There almost isn't a single shot in it where every member of the cast isn't Acting ... The result is, at times, insufferably pleased with itself…

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Review of The Goldfinch (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 08 Sep 2019

In the end, there’s too much good stuff missing and yet not enough to serve as a satisfying meal…

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Review of Just Mercy (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 08 Sep 2019

A straightforward biopic ... The film's edge is somewhat dulled by respect for its subject, who's drawn here as more hero than man…

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Review of Hustlers (2019)

By Beandrea July (45) for The Hollywood Reporter (7,050) on 07 Sep 2019

Part workplace dramedy, part revenge fantasy, the film weaves together a series of satisfying, organic-feeling turns…

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Review of A Beautiful Day in the Neighborhood (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 07 Sep 2019

There’s no question that Hanks is perfect in the part, as the actor’s amiability and unquestionable sincerity make for an ideal match with…

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Review of Ms. Purple (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 07 Sep 2019

[A] gorgeously shot and sensitively acted drama, a demonstration of range from the actor-turned-director…

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Review of Satanic Panic (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 07 Sep 2019

It’s a fun concept, but the feature lacks the deft touch required to make disembowelments and virgin sacrifices actually seem amusing, although…

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Review of Knives Out (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Sep 2019

A delicious throwback to the all-star whodunit, this juicy comedy thriller is a treat from start to finish…

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Review of Once Were Brothers: Robbie Robertson and the Band (2020)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 06 Sep 2019

Although, structurally speaking, the production follows a safely familiar path, it doesn’t require a lot of fancy footwork when you’ve…

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Review of Heading Home: The Tale of Team Israel (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 06 Sep 2019

Heading Home: The Tale of Team Israel emerges as a messy hybrid that has some interesting and amusing moments but ultimately feels as inauthentic…

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Review of Strange but True (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 05 Sep 2019

An atmospheric thriller with a noir-ish undertow and strong visual style, Strange But True puts a classy spin on familiar ingredients…

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