Movie Reviews Published by The Hollywood Reporter - Page 31 of 353

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Review of Fauci (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 07 Sep 2021

While it’s occasionally stuck in very rote biographical details and frequently limited by a race to theaters and TV that doesn’t necessarily…

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Review of Sundown (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Sep 2021

As a character study of a man with good reason to wean himself off the very basic human instinct of hope and teach himself, even at some personal…

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Review of Marcel the Shell with Shoes On (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 06 Sep 2021

Marcel the Shell With Shoes On is a film with much to offer when it comes to lessons and laughs…

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Review of The Rescue (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 06 Sep 2021

The filmmakers — superbly incorporating a combination of stunning archival footage (much of it previously unseen), dramatic reenactments…

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Review of The Lost Daughter (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 06 Sep 2021

The reclusive Italian author’s familiar themes of female relationships, sexuality, motherhood and women’s struggle to carve a professional…

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Review of King Richard (2021)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 05 Sep 2021

It is far from a perfect film, but it tantalizes, thanks to the strong subject matter and the sharp characterizations and performances…

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Review of Last Night in Soho (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 04 Sep 2021

Last Night in Soho is an immensely pleasurable film that delights in playing with genre, morphing from time-travel fantasy to dark fairy tale,…

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Review of C'mon C'mon (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Sep 2021

It’s a wispy yet insightful and emotionally satisfying film…

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Review of Dune (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Sep 2021

The storytelling lacks the clean lines to make it consistently propulsive…

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Review of Spencer (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Sep 2021

Not everything lands in Spencer, and I often wondered if the film was so set on bucking convention that it would alienate its audience…

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Review of The Power of the Dog (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2021

This is an exquisitely crafted film, its unhurried rhythms continually shifting as plangent notes of melancholy, solitude, torment, jealousy…

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Review of The Card Counter (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2021

A companion piece of sorts to First Reformed, this is another bruising character study of a solitary, burdened man who processes his most intimate…

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Review of Kate (2021)

By Angie Han (120) for The Hollywood Reporter (7,050) on 02 Sep 2021

The film’s mimicry might be deft enough to pass muster here and there…

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Review of The Hand of God (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2021

It’s the work of a director in full command of his gifts, from the kaleidoscopic vignettes of family life that make the first half such a…

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Review of Cinderella (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 01 Sep 2021

The classic fairy tale and its straightforward but powerful lessons in self-confidence, perseverance and the power of imagination provide an…

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Review of Cinderella (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 01 Sep 2021

The classic fairy tale and its straightforward but powerful lessons in self-confidence, perseverance and the power of imagination provide an…

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Review of Parallel Mothers (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Sep 2021

While Parallel Mothers doesn’t match the intricately interwoven layers of Almodóvar’s top-tier work — All About My Mother, Talk to Her,…

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Review of Deception (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

Like a beltway surrounding its hero’s bloviating ego trips and massive libido, the film keeps turning in circles around a subject that’s…

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Review of Hit the Road (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

You can feel Panahi drifting away from his director forefathers, including his own father, testing out new ideas and methods to see if they…

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Review of The Year of the Everlasting Storm (2021)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 31 Aug 2021

Its bow in Cannes in the Special Screenings sidebar is amply justified by two whimsical exercises in art house cinema directed by Jafar Panahi…

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