Movie Reviews Published by The Hollywood Reporter - Page 30 of 353

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Review of Belfast (2021)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 13 Sep 2021

Branagh’s most personal film is imperfect, but the emotion that it builds in the final section, as the family plays out a wrenching universal…

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Review of Cyrano (2021)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 13 Sep 2021

The important point is that the charm and poignancy of the original text survive. And Wright’s technical achievements are worth saluting…

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Review of Benediction (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 13 Sep 2021

This biographical drama, grounded in the anguished poetry of its protagonist, is hushed and decorous to a fault…

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Review of Benediction (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 13 Sep 2021

This biographical drama, grounded in the anguished poetry of its protagonist, is hushed and decorous to a fault…

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Review of A State of Mind (2005)

By Richard James Havis (225) for The Hollywood Reporter (7,050) on 12 Sep 2021

Certainly should appeal to viewers with an interest in current affairs…

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Review of The Eyes of Tammy Faye (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 12 Sep 2021

The movie, with its numbing overload of pastels and prayer, is too tonally uncertain to yield any fun…

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Review of The Starling (2021)

By Caryn James (352) for The Hollywood Reporter (7,050) on 12 Sep 2021

With a predictable trajectory and cringeworthy metaphors, The Starling is so slushily sentimental it makes the typical tearjerker look like…

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Review of The Last Duel (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 10 Sep 2021

Ultimately, The Last Duel is the affecting story of one woman’s quiet heroism that requires you to wade through a lot of blustery accounts…

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Review of Malignant (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Sep 2021

The film might have been outrageously bizarre fun if it displayed any humor or ironic self-consciousness, but everything is played so straight…

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Review of Fire Music (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Sep 2021

Featuring past and recent interviews with many of the key figures and generous doses of archival photographs and vintage performance footage,…

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Review of Dear Evan Hansen (2021)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 09 Sep 2021

A weakness for the formulaic, combined with a noticeably weighty running time, continually bumps up against the film’s many fine points…

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Review of Small Engine Repair (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The results, although sporadically arresting, feel awkward, like a child wearing clothing a few sizes too big…

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Review of Halloween Kills (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Sep 2021

Green has made exactly the kind of witless, worthless sequel that bled the franchise dry in the 1980s and ’90s…

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Review of Queenpins (2021)

By Angie Han (120) for The Hollywood Reporter (7,050) on 08 Sep 2021

The crime comedy ends not as a fat stack of jokes but a jumble of loose change — not entirely worthless, but not amounting to a whole lot, either…

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Review of Blood Brothers: Malcolm X & Muhammad Ali (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 08 Sep 2021

Blood Brothers struggles under the weight of its subjects…

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Review of Best Sellers (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

That Best Sellers works to the extent that it does is a testament to Caine’s ultra-professionalism — he truly is a treasure who can make…

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Review of The Alpinist (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 08 Sep 2021

Leclerc’s lack of introspection — you never forget his youth — puts a lot of pressure on the other talking heads…

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Review of The Gateway (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The overall pretentiousness and lack of humor make it more of a slog than a guilty pleasure…

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Review of The Gateway (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The overall pretentiousness and lack of humor make it more of a slog than a guilty pleasure…

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Review of Sundown (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Sep 2021

As a character study of a man with good reason to wean himself off the very basic human instinct of hope and teach himself, even at some personal…

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