Movie Reviews Published by The Hollywood Reporter - Page 28 of 353

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Review of The Harder They Fall (2021)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 06 Oct 2021

The cast has chemistry in all directions, between the romantic matchups but just as much among the menfolk as they bicker, bond and berate…

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Review of Ascension (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 06 Oct 2021

Presented with no narrative and limited structure, Ascension is a collection of breathtaking images and revelatory vignettes that position…

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Review of The Black Phone (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 05 Oct 2021

The story’s final third works even better than the buildup would suggest, shrugging off some of the atmospherics and, with a clever nod to…

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Review of The Addams Family 2 (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 01 Oct 2021

At 93 minutes, The Addams Family 2 feels longer than it actually is, and nothing, not even the new music from contemporary stars like Megan…

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Review of Venom: Let There Be Carnage (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 30 Sep 2021

The film does develop the chemistry between the titular alien and the human he’s forced to inhabit while inside Earth’s atmosphere…

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Review of No Time to Die (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 28 Sep 2021

It may not rank up there with Skyfall, but it’s a moving valedictory salute to the actor who has left arguably the most indelible mark on…

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Review of Birds of Paradise (2021)

By Robyn Bahr (19) for The Hollywood Reporter (7,050) on 27 Sep 2021

Shaheen Seth’s libidinous, compelling cinematography beautifully complements Nora Takacs Ekberg’s lush “haunted dollhouse” production…

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Review of The Tragedy of Macbeth (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 24 Sep 2021

The Tragedy of Macbeth is a raw, lucid retelling, rendered spellbinding by its enveloping stylized design and its masterful black-and-white…

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Review of The Tragedy of Macbeth (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 24 Sep 2021

The Tragedy of Macbeth is a raw, lucid retelling, rendered spellbinding by its enveloping stylized design and its masterful black-and-white…

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Review of The Auschwitz Report (2021)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 23 Sep 2021

There is no question that it is an extremely well-crafted piece of work…

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Review of The Many Saints of Newark (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 21 Sep 2021

The late-’60s and early-’70s production and costume design, by Bob Shaw and Amy Westcott, respectively, are rooted firmly in an evocative…

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Review of Mona Lisa and the Blood Moon (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 18 Sep 2021

Mona Lisa and the Blood Moon solidifies Amirpour’s reputation as a master of subversion…

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Review of Huda's Salon (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 18 Sep 2021

A tightly conceived political thriller based on real events…

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Review of Bitterbrush (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 18 Sep 2021

As the filmmaker traces a season of range riding for two exceptionally skilled and resourceful young women, her documentary becomes more than…

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Review of Costa Brava, Lebanon (2022)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 18 Sep 2021

When it comes to individual people and their hopes, fears and desires, Akl has a talent for both the surreal flourish and the grounded insight…

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Review of The Good House (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 18 Sep 2021

There are big questions churning beneath the story, yet even Hildy’s personal turmoil feels somehow too neat…

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Review of Earwig (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 18 Sep 2021

Viewers looking for explanations should probably stay away, but those willing to be carried by the film’s casual pace and haunting aesthetic…

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Review of True Things (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 18 Sep 2021

Although the film handles the process of being subsumed by love well, the characters ultimately feel too thin to make Kate’s awakening persuasive…

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Review of The Wheel (2022)

By Angie Han (120) for The Hollywood Reporter (7,050) on 18 Sep 2021

The Wheel may not, well, reinvent the wheel. But in its expansive empathy, it delivers something that nevertheless feels new and surprising…

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Review of The Humans (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 18 Sep 2021

The film is a remarkably insightful and powerful portrait of the human condition…

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