Movie Reviews Published by The Hollywood Reporter - Page 27 of 353

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Review of The Beta Test (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 19 Oct 2021

Cummings works the same muscles that attracted attention in the festival darling Thunder Road and its follow-up, The Wolf of Snow Hollow: Exploring…

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Review of Falling for Figaro (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 Oct 2021

Lewin and co-screenwriter Allen Palmer don’t exactly raise the dramatic stakes very high…

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Review of Charlotte (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 16 Oct 2021

The film is steeped in beauty at least as much as it is in sorrow, the dance of Mediterranean light — Salomon would spend a good portion…

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Review of The Manor (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 15 Oct 2021

With its tight structure, adequate level of suspense and inventive plot, The Manor more than fulfills the requirements of a thrilling horror…

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Review of The Blazing World (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 15 Oct 2021

There’s plenty of imagination on display in The Blazing World, but it’s buried amidst the narrative and stylistic self-indulgence that…

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Review of The First Wave (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 15 Oct 2021

Now, more than a year and a half into the novel coronavirus pandemic, Matthew Heineman’s intensely intimate documentary arrives as a graphic…

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Review of Mayor Pete (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 Oct 2021

As a window into the campaign process, Mayor Pete doesn’t match the perspective or dramatic payoff of Moss’ last film, Boys State, co-directed…

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Review of Needle in a Timestack (2021)

By Angie Han (120) for The Hollywood Reporter (7,050) on 15 Oct 2021

The premise is rich with potential for aching romance and meaningful contemplation of the ways that time and technology can shape how we see…

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Review of The Manor (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 15 Oct 2021

With its tight structure, adequate level of suspense and inventive plot, The Manor more than fulfills the requirements of a thrilling horror…

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Review of Hard Luck Love Song (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Oct 2021

That the film proves engrossing throughout is due largely to Michael Dorman (For All Mankind), in the central role of Jesse…

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Review of Freeland (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 14 Oct 2021

There isn’t a false note in any of the film’s performances, and within its brief running time, writer-directors Mario Furloni and Kate…

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Review of Luzzu (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 14 Oct 2021

Naturalistic and a bit on-the-nose in spots, the film is also a moving tale of real-world strife — a sort of low-key, contemporary take on…

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Review of Antlers (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 12 Oct 2021

Thoroughly successful both as icky art house horror and as an allegory of generational trauma, Scott Cooper’s Antlers continues the director’s…

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Review of South of Heaven (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Oct 2021

South of Heaven is the type of film that’s good enough to make you wish it were better, its problematic whole being less than the sum of…

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Review of The Scary of Sixty-First (2021)

By Jourdain Searles (30) for The Hollywood Reporter (7,050) on 12 Oct 2021

The Epstein conspiracy here is ultimately merely an excuse for taboo fetish play, culminating in a bloody finale that any viewer could see…

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Review of Karen Dalton: In My Own Time (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 12 Oct 2021

In My Own Time, which takes its title from her second album, is in tune with the haunting poetics of her work…

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Review of The Tender Bar (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 11 Oct 2021

If it struggles to find a rhythm, especially in the early going, there’s no question that it sends you off on a gentle high…

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Review of Madonna: Madame X (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Oct 2021

Wherever one draws the line between supporting a group and co-opting it, X captures a night of solid performances and top-notch stagecraft…

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Review of Ghostbusters: Afterlife (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 09 Oct 2021

As franchise update, origin story, coming-of-age movie, comedy and indulgent f/x extravaganza, the feature, written by the director and Gil…

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Review of Knocking (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 07 Oct 2021

First-time feature director Frida Kempff embraces and revamps genre tropes, casting them in a trenchant feminist light and a character-specific…

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