Movie Reviews Published by The Hollywood Reporter - Page 22 of 353

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Review of Taurus (2022)

By Angie Han (120) for The Hollywood Reporter (7,050) on 16 Feb 2022

While Taurus does eventually get around to making a point — something about how the toxic combination of fame, addiction, and the music biz…

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Review of Uncharted (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 15 Feb 2022

The film features plenty of photogenic real-life locations and some genuinely exciting action sequences…

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Review of Dark Glasses (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 15 Feb 2022

Dark Glasses is never all that scary, and some of it is just plain silly, but if you take it at face value it can be enjoyable enough to sit…

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Review of Both Sides of the Blade (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 Feb 2022

The sense of love dissolving and lives thrown into chaos as a dormant past violently breaks through the surface is unexpectedly moving, all…

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Review of The Outfit (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 15 Feb 2022

If you prefer to riff on the garment-making angle central to its story, the film is flatteringly and economically cut from fine cloth, cleverly…

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Review of Flux Gourmet (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 14 Feb 2022

It should be noted that sometimes this feels like just weirdness for weirdness’ sake…

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Review of Superior (2022)

By Inkoo Kang (374) for The Hollywood Reporter (7,050) on 14 Feb 2022

Superior feels like Diet David Lynch: an unsatisfying substitute…

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Review of Incredible But True (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 14 Feb 2022

What makes it quite fun, and definitely funny in spots, is how realistically Dupieux depicts events, turning the outlandish into something…

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Review of Catch the Fair One (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 12 Feb 2022

Where there should be intimacy, we get distance. Where one might expect steady meditation, the narrative jitters impulsively…

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Review of Bigbug (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 12 Feb 2022

Imagine the rise of the machines prophesy made popular by the Terminator franchise, but done as a freaky sitcom that’s part Pee-Wee’s Playhouse,…

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Review of Marry Me (2022)

By Angie Han (120) for The Hollywood Reporter (7,050) on 10 Feb 2022

Those hoping the film might push the genre to its most extravagant limits may be surprised at how (relatively) low-key their love story ends…

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Review of The Sky Is Everywhere (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 10 Feb 2022

Lennie’s is not the only growth rippling beneath the surface of The Sky Is Everywhere…

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Review of I Want You Back (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 10 Feb 2022

The narrative cruises to a satisfying finish. The jokes go down easy. The characters grow in predictable directions…

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Review of Kimi (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Feb 2022

What in lesser hands might have been just another tiresome COVID-19 quickie, locking us into a reality we’re all desperate to escape, becomes…

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Review of Blacklight (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Feb 2022

Lacking a high concept or memorable central character, the film is a by-the-numbers actioner that coasts on its star’s soulful gravitas and…

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Review of Death on the Nile (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Feb 2022

For some of us who look back with affection on John Guillermin’s lush 1978 screen version, there’s a nagging feeling throughout that Branagh,…

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Review of Last Survivors (2021)

By Angie Han (120) for The Hollywood Reporter (7,050) on 03 Feb 2022

Last Survivors doesn’t only aim to offer up the usual pleasures of postapocalyptic thrillers like A Quiet Place or It Comes at Night —…

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Review of Speak No Evil (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Feb 2022

Strong performances from the four leads, plus the film’s unsettling visuals and crafty use of score, sound and strategic silence make it…

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Review of Moonfall (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 03 Feb 2022

Featuring many of the same grandiose elements as those predecessors, Moonfall looks and sounds like a would-be cinematic blockbuster but comes…

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Review of Jackass Forever (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 02 Feb 2022

Jackass Forever is being released only in theaters, providing the opportunity for its fans who find constant hilarity in its sophomoric antics…

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