Movie Reviews Published by The Hollywood Reporter - Page 21 of 353

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Review of Gone in the Night (2022)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 16 Mar 2022

The Cow is depressingly slack and indecisive, neither leaning hard enough into its B-movie preposterousness nor taking the time to build any…

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Review of To Leslie (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 16 Mar 2022

A stirring character study ... To Leslie recalls the grit of 1970s American indie cinema at its most indelible…

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Review of Linoleum (2023)

By Angie Han (120) for The Hollywood Reporter (7,050) on 15 Mar 2022

Thoughtful performances and earnest (if especially subtle) writing keep the film compelling enough until its final minutes, which are even…

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Review of I Love My Dad (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 15 Mar 2022

Gently funny and much more forgiving than viewers might expect, the picture plays to Oswalt’s strengths and may resonate uncomfortably for…

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Review of Apollo 10½: A Space Age Childhood (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 13 Mar 2022

It’s clearly a labor of love, a unique reflection on an unforgettable summer, inviting us to share in a moment of communal spirit which now…

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Review of The Lost City (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 13 Mar 2022

While the dialogue rarely crackles the way the original screwball films did, the Nees and their two co-writers find some pleasing little bits…

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Review of Everything Everywhere All at Once (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 11 Mar 2022

Nothing if not true to its title, this frenetically plotted serve of stoner heaven is insanely imaginative and often a lot of fun…

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Review of The Adam Project (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Mar 2022

The result is neither funny nor thrilling, just exhausting…

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Review of Turning Red (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Mar 2022

Turning Red is original, funny and tender, an affectionate reminder that adolescence is a time of life not easily tamed, and sometimes the…

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Review of The Batman (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 28 Feb 2022

This glowering study in crime and punishment is meticulously crafted, vividly inhabited storytelling with a coherent, thought-through vision,…

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Review of NO EXIT (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Feb 2022

Director Power orchestrates the thriller plot mechanics with reasonable skill, and the film’s concise 90-minute running time ensures that…

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Review of No Exit (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Feb 2022

Director Power orchestrates the thriller plot mechanics with reasonable skill, and the film’s concise 90-minute running time ensures that…

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Review of Against the Ice (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 22 Feb 2022

In the end, the most remarkable thing about Against the Ice is that a real-life story of two men at the mercy of the unforgiving elements,…

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Review of The Novelist's Film (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 18 Feb 2022

The deadpan edge of much of the film’s 90 minutes of prattle conceals thoughts on the insularity of creative communities, the ticking clock…

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Review of Texas Chainsaw Massacre (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 18 Feb 2022

Slasher film fans should embrace this Texas Chainsaw Massacre, which pays loving homage to the original via a variety of Easter Eggs and doesn’t…

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Review of The Desperate Hour (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 17 Feb 2022

A case study in how storytelling contrivances can sabotage a courageously vulnerable performance, the movie addresses American parents’ deepest…

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Review of This Much I Know to Be True (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 17 Feb 2022

Perhaps more than anything, the doc celebrates the remarkable creative union between Cave and his chief collaborator and bandmate Warren Ellis…

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Review of Peter von Kant (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Feb 2022

Peter von Kant is perhaps a bit too rarefied an endeavor to significantly expand Ozon’s following, and some LGBTQ audiences might conceivably…

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Review of Alcarràs (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Feb 2022

Lovely, unforced Chekhovian notes grace the gently observed snapshot of a summer of unstoppable change and momentous upheaval…

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Review of Robe of Gems (2023)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 16 Feb 2022

[López Gallardo] tends to eschew straightforward storytelling for something so elusive that her film nearly escapes us for its first half,…

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