Movie Reviews Published by The Hollywood Reporter - Page 19 of 353

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Review of Three Thousand Years of Longing (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 20 May 2022

While there’s a liberal sprinkling of humor, the mysteries it conjures are windy and academic, though not the kind of academic that stands…

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Review of Armageddon Time (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 19 May 2022

An unvarnished family snapshot that traces the seeds from which the artist evolved and the tough lessons about life’s unfairness that helped…

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Review of Chip 'n Dale: Rescue Rangers (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 17 May 2022

This hilariously meta reboot — excuse me, comeback — is everything the recent Space Jam sequel desperately attempted but failed to be…

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Review of Firestarter (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 13 May 2022

While it has a few genuine scares (cat lovers will want to avert their eyes for one horrific scene), it never achieves the deliriously freaky…

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Review of Top Gun: Maverick (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 12 May 2022

The best thing this movie does is boost visceral analog action over the usual numbing bombardment of CG fakery, a choice fortified by having…

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Review of The Kids in the Hall: Comedy Punks (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 11 May 2022

Though peppered with lots of photos and clips fans haven’t seen, rapid-fire editing ensures we nearly never see enough for a rare clip’s…

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Review of Wuhan Wuhan (2021)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 04 May 2022

Without sensationalism, Wuhan Wuhan makes its quiet mark through its natural approach to a culture where people appear not to rebel against…

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Review of Doctor Strange in the Multiverse of Madness (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 03 May 2022

Though unsatisfying in some respects, the film is enough fun to make one wish for a portal to a variant universe in which Marvel movies spent…

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Review of Hold Your Fire (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 28 Apr 2022

By the time the film ends and the fates of the various figures revealed, you’re struck not only by the compelling narrative but also by the…

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Review of Memory (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 27 Apr 2022

Matching the screenplay’s lack of nuance, Campbell (Casino Royale, The Protégé) orchestrates the proceedings with a flat efficacy, stringing…

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Review of Memory (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 27 Apr 2022

Matching the screenplay’s lack of nuance, Campbell (Casino Royale, The Protégé) orchestrates the proceedings with a flat efficacy, stringing…

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Review of Memory (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 27 Apr 2022

Matching the screenplay’s lack of nuance, Campbell (Casino Royale, The Protégé) orchestrates the proceedings with a flat efficacy, stringing…

Read Review

Review of The Mystery of Marilyn Monroe: The Unheard Tapes (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Apr 2022

The film is affecting, because it outlines the saddening end of an adored American icon…

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Review of Downton Abbey: A New Era (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Apr 2022

Even the acerbic bons mots delivered with crisp aplomb by Maggie Smith’s Dowager Countess, Violet Grantham, don’t match the tart-tongued…

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Review of The Unbearable Weight of Massive Talent (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 23 Apr 2022

Though not solely for superfans, it plays best for those who appreciate a hard-to-untangle knot of realness, fakeness, vanity, artistry, self-commentary…

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Review of Operation Mincemeat (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 21 Apr 2022

A far more decorous affair than its macho-burger title would suggest, this is a classy production with a first-rate ensemble cast, splicing…

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Review of The Bad Guys (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 21 Apr 2022

For much of the way, The Bad Guys is antic fun, aided immeasurably by the terrific vocal performances…

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Review of White Hot: The Rise & Fall of Abercrombie & Fitch (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 21 Apr 2022

The doc circles its subject with a mix of fascination, reverence and minor disgust…

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Review of The White Fortress (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Apr 2022

Drljača’s dialogue is sharp and alive throughout the film, particularly so during Mona and Faruk’s first date…

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Review of Islands (2022)

By Inkoo Kang (374) for The Hollywood Reporter (7,050) on 18 Apr 2022

The script is programmatic to the point that its final shot is fully predictable…

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