Movie Reviews Published by The Hollywood Reporter - Page 18 of 353

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Review of Ava (2017)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 28 May 2022

Mysius loses control of the tone, and the wayward direction of the last half hour, which unfolds mostly at a gypsy wedding and goes on 15 minutes…

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Review of Funny Pages (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 28 May 2022

A fresh and uncompromising feature debut…

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Review of Broker (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 27 May 2022

Much of this might have been formulaic in less artful hands, but Kore-eda has an unfaltering lightness of touch, a way of injecting emotional…

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Review of EO (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 26 May 2022

Despite a shred of story that’s told episodically, EO, which clocks in at a concise 86 minutes, can be an engrossing experience…

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Review of Nostalgia (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 26 May 2022

With a formidable cast, assured direction and skillful camerawork, Nostalgia proves to be a surprisingly absorbing film…

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Review of Holy Spider (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 26 May 2022

It’s far from subtle filmmaking, but Holy Spider is equal parts gripping and disturbing, and not always for the squeamish…

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Review of Stars at Noon (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 May 2022

There’s almost always something interesting about even Denis’ flawed films, but this troubled travelogue just feels a little off at every…

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Review of Elvis (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 May 2022

If the writing too seldom measures up to the astonishing visual impact, the affinity the director feels for his showman subject is both contagious…

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Review of Zero Contact (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 May 2022

As Finley, Hopkins displays his usual magnetism, even taking the opportunity to play one of his own musical compositions on piano…

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Review of Decision to Leave (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 24 May 2022

Crafted with unforced humor, ravishing visuals and commanding maturity, Decision to Leave intoxicates with its potent brew of love, emotional…

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Review of Corsage (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 23 May 2022

Corsage…

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Review of Moonage Daydream (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 May 2022

Moonage Daydream is short on insight, and ends up feeling more enervating than enlightening…

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Review of Crimes of the Future (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 May 2022

The film offers up more mysteries than it solves…

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Review of Fire Island (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 May 2022

There’s no doubt as to where all this is headed, especially to anyone familiar with Pride and Prejudice…

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Review of Fire Island (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 May 2022

There’s no doubt as to where all this is headed, especially to anyone familiar with Pride and Prejudice…

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Review of The Bob's Burgers Movie (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 23 May 2022

Definitely hewing to the “If it ain’t broke, don’t fix it” philosophy regarding big-screen versions of long-running television shows,…

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Review of Aftersun (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 22 May 2022

Charlotte Wells’ sharp and tender Aftersun is the rare father-and-child drama that leaves you wondering who the dad will grow up to be…

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Review of One Fine Morning (2022)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 22 May 2022

In the quietly miraculous One Fine Morning (Un beau matin), writer-director Mia Hansen-Løve and her leading lady Léa Seydoux make the old…

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Review of Aftersun (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 22 May 2022

Charlotte Wells’ sharp and tender Aftersun is the rare father-and-child drama that leaves you wondering who the dad will grow up to be…

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Review of Triangle of Sadness (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 22 May 2022

As facile as Triangle of Sadness becomes, Östlund at least provides full-circle follow-through when beauty and sex once again become bartering…

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