Movie Reviews Published by The Hollywood Reporter - Page 15 of 353

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Sep 2022

Audiences’ staying power for this meandering existential exploration of personal, professional and national identity — as tragicomic as…

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Review of TÁR (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Sep 2022

Tár marks yet another career peak for Blanchett — many are likely to argue her greatest — and a fervent reason to hope it’s not 16 more…

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Review of Ava (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 01 Sep 2022

Ava’s rebellion is against more than her parents’ mistrust; it’s about the cage of societal norms in Iran that stifles female creativity…

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Review of Dos estaciones (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 01 Sep 2022

At once a vivid portrait of a place and its people, an unsentimental ode to the art and craft of tequila-making, a damning depiction of the…

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Review of White Noise (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 31 Aug 2022

There’s much to appreciate in Noah Baumbach’s alternately exhilarating and enervating attempt to tame Don DeLillo’s comedy of death,…

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Review of White Noise (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 31 Aug 2022

There’s much to appreciate in Noah Baumbach’s alternately exhilarating and enervating attempt to tame Don DeLillo’s comedy of death,…

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Review of Riotsville, USA (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 30 Aug 2022

All elements of this arresting documentary work together to push an urgent thesis: What we are attuned to hearing, to seeing and to thinking…

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Review of Me Time (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Aug 2022

There’s nary an amusing or unpredictable moment in the film…

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Review of Me Time (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Aug 2022

There’s nary an amusing or unpredictable moment in the film…

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Review of Adopting Audrey (2022)

By Angie Han (120) for The Hollywood Reporter (7,050) on 25 Aug 2022

If Porcupine doesn’t cut as deeply as it could, it’s still an intriguing window into the lives of two characters who, thanks to Cahill’s…

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Review of Samaritan (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Aug 2022

Stallone provides just the right amount of world-weary gravitas and deadpan humor to put over the hokey material…

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Review of Katrina Babies (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 24 Aug 2022

Katrina Babies is an assertion of presence, a proclamation that the devastating hurricane is not simply a past story, but a present one too…

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Review of Kaepernick & America (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 23 Aug 2022

If we take a step back, we can see the faint outlines of another, more urgent, narrative thread in Kaepernick & America — one that encourages…

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Review of Kirikou and the Men and Women (2012)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 16 Aug 2022

Like the previous Kirikou movies, the combination of classic animation and straightforward storytelling provides a welcome antidote to the…

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Review of Secret Headquarters (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 12 Aug 2022

With less pedestrian writing, there might have been some genuine uplift in the outcome of a family reinforcing its bonds while taking on future…

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Review of Day Shift (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 11 Aug 2022

A rambunctious, strange and occasionally humorous action-thriller-comedy…

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Review of Mack & Rita (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 10 Aug 2022

At times disarming, at others plain silly, it takes a few daring leaps without quite avoiding middle-of-the-road sitcom territory…

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Review of Down Terrace (2010)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 04 Aug 2022

The production comes by its authenticity naturally -- and not only because several of the cast members (fascinating faces all) happen to be related…

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Review of Easter Sunday (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Aug 2022

Easter Sunday earns points for its cultural bona fides, its loving portrait of the community it celebrates and its almost entirely Filipino…

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Review of Prey (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 03 Aug 2022

There’s enough carnage and violent action on display to satisfy Predator fans whose cinematic bloodlust knows no bounds, and the dramatic…

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