Movie Reviews Published by The Hollywood Reporter - Page 14 of 353

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Review of End of the Road (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Sep 2022

There’s definitely some gas in its tank in the opening sections, which are somewhat promising, but then the story takes a predictable route…

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Review of The Inspection (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Sep 2022

There’s brutality but also an understated hint of poetry in the way Bratton tells his story from deep inside it, making beautiful use of…

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Review of Weird: The Al Yankovic Story (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 09 Sep 2022

Eric Appel’s Weird: The Al Yankovic Story is relentlessly silly, wholesome at heart and so stuffed with cameos it might give you the idea…

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Review of Sirens (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 08 Sep 2022

Wanting more is a criticism, but it’s a luxury criticism. This documentary builds a world you want to explore further…

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Review of Blonde (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Sep 2022

The tragic dimension of a woman adored by the world, devoured by Hollywood and ultimately abandoned to her own despair in an ordinary little…

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Review of Sirens (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 08 Sep 2022

Wanting more is a criticism, but it’s a luxury criticism. This documentary builds a world you want to explore further…

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Review of Return to Seoul (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 08 Sep 2022

That the story of someone so off-putting climaxes in a moment as profound and moving as the penultimate scene of Return to Seoul speaks to…

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Review of Dead for a Dollar (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 08 Sep 2022

Although Hill certainly puts in a few sly tips of the hat to canonical and cult favorites and is clearly enjoying exploiting the audience’s…

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Review of See How They Run (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Sep 2022

Its chief merit is the rare opportunity it provides Saoirse Ronan to showcase her skills with bubbly comedy, making her the standout in a ridiculously…

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Review of Barbarian (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 07 Sep 2022

Director-screenwriter Cregger displays an obvious perverse glee in guiding his audiences through his outlandish twists and turns…

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Review of The Eternal Daughter (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 06 Sep 2022

In the end, it plays a little too often like an academic pastiche of horror tropes even though its emotional core rings with resonance…

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Review of Don't Worry Darling (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 05 Sep 2022

The high-concept, low-satisfaction psychological thriller marks an ambitious upgrade in scope for Wilde from the character-driven coming-of-age…

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Review of Argentina 1985 (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 05 Sep 2022

The balance between detail and momentum can at times be off, and the helmer doesn’t entirely avoid generic tropes of the legal drama…

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Review of The Banshees of Inisherin (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 05 Sep 2022

For all its wit, its lively talk and deceptive lightness, this is arguably the writer-director’s most affecting work…

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Review of A Couple (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 04 Sep 2022

The result is an expressive and moving portrait of a tempestuous marriage, one told with elan that feels rich in feeling even if its entire…

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Review of Empire of Light (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 04 Sep 2022

Nothing in the film has a fraction of the dramatic impact of the emotional roller-coaster Colman’s performance embodies…

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Review of The Whale (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 04 Sep 2022

The intense chamber drama never disguises its stage roots but transcends them with the grace and compassion of the writing and the layers of…

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Review of Women Talking (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 03 Sep 2022

The philosophical and sometimes faith-steeped bent of the women’s discussion might put off audiences not willing to go there…

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Review of Bones and All (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2022

Guadagnino has made a kind of emo horror movie…

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Review of Athena (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2022

While the film’s emphatic style can become draining, and its attention to technique risks overshadowing the interpersonal drama, there’s…

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