Movie Reviews Published by The Guardian - Page 53 of 149

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Review of Pelé (2021)

By Andrew Pulver (217) for The Guardian (2,969) on 18 Feb 2021

This valedictory film allows sober recognition for all that he did…

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Review of What Lies Below (2020)

By Cath Clarke (570) for The Guardian (2,969) on 16 Feb 2021

The denouement when it comes is meant to be shriek of pure sci-fi horror; but really, you’d find better entertainment – and more energetic…

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Review of Pink Wall (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Feb 2021

Pink Wall can be a bit contrived at times, with situations that have been rather effortfully created…

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Review of Slalom (2020)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Feb 2021

The movie finishes on an unresolved chord, as if we have left the story months or years before the actual scandalous denouement…

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Review of Sator (2019)

By Leslie Felperin (768) for The Guardian (2,969) on 14 Feb 2021

Graham uses darkness and a very sparse score/soundscape to create a truly disturbing work that relies not so much on gore as the uncanny in…

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Review of Willy's Wonderland (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 11 Feb 2021

The parody versions of the songs here are pretty funny, as is Cage’s solemn devotion to his job, down to his insistence that he takes a pinball…

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Review of PVT Chat (2021)

By Cath Clarke (570) for The Guardian (2,969) on 11 Feb 2021

Ben Hozie makes his feature debut with this semi-insightful, uncomfortably funny indie drama about a man who becomes obsessed with an online…

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Review of Barb & Star Go to Vista Del Mar (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 11 Feb 2021

It’s a breeze of a watch and with the bar for studio comedy being so very low right now, it’s at least mildly inventive and likably goofy,…

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Review of To All the Boys: Always and Forever (2021)

By Adrian Horton (60) for The Guardian (2,969) on 11 Feb 2021

The final serving of this three-part confection rarely strays from enjoyable, even if it doesn’t match the seductive sweetness of the first bite…

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Review of News of the World (2020)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 09 Feb 2021

Tom Hanks leads this handsomely shot but stolid and blandly self-satisfied western…

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Review of The Map of Tiny Perfect Things (2021)

By Adrian Horton (60) for The Guardian (2,969) on 09 Feb 2021

The Map of Tiny Perfect Things holds a contained, idealized world – a trove of romcom enjoyment and small treasures I had no problem looping…

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Review of Bliss (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 04 Feb 2021

Every syllable of action, as we grind towards the broadly guessable finish, is jeopardy-free and interest-free…

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Review of Bliss (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 04 Feb 2021

Every syllable of action, as we grind towards the broadly guessable finish, is jeopardy-free and interest-free…

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Review of Lost Girls & Love Hotels (2020)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 04 Feb 2021

The film isn’t perfect, and there is a touch of orientalism about the obsessive-affair-with-Japanese-man trope (which surfaced also in Wash…

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Review of A Glitch in the Matrix (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 04 Feb 2021

What’s missing from this fecund brew, which you could imagine being twice as long, is any kind of judgment or analysis of the subjects…

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Review of The Poison Rose (2019)

By Cath Clarke (570) for The Guardian (2,969) on 02 Feb 2021

It’s a preposterous plot, with a damp-squib ending, and like an episode of Dallas, the dialogue gets phonier and phonier…

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Review of John and the Hole (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 02 Feb 2021

The crudest way to describe what transpires in John and the Hole would be Home Alone if re-envisioned by Michael Haneke or perhaps Yorgos Lanthimos…

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Review of The Sparks Brothers (2021)

By Jordan Hoffman (1,025) for The Guardian (2,969) on 02 Feb 2021

This is a film that loves its subjects and only someone with a biological revulsion to catchy pop or grand rock theatrics will dislike the film…

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Review of Passing (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 01 Feb 2021

As compelling and as complicated as this fraught friendship might be, Hall’s script can’t quite find a way to take it – and the other…

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Review of On the Count of Three (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 01 Feb 2021

While it’s ultimately a little too messy to work quite as well as it could have, given the interesting and ambitious ingredients, On the…

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