Review of Sator (2019) by Leslie Felperin for The Guardian — 14 Feb 2021
Graham uses darkness and a very sparse score/soundscape to create a truly disturbing work that relies not so much on gore as the uncanny in its most potent form: stillness, pools of darkness and just-visible figures.
You can read the full review where it was originally posted online.
This review of Sator (2019) was written by Leslie Felperin and published by The Guardian on 14 Feb 2021.
Sator has generally received positive reviews.
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