Movie Reviews Published by The Guardian - Page 44 of 149

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Review of Val (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 23 Jul 2021

It’s pure hagiography and taken as that, it’s skillfully assembled, even stylishly so at times, and Kilmer’s insights into his art skirt…

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Review of The World to Come (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 23 Jul 2021

Fastvold’s film is distinctive in that she shows us how physical constraint and violence are part of the fabric of living…

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Review of Old (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 Jul 2021

The elements of silliness and deadly seriousness are nicely balanced and although I wasn’t absolutely sure about the ending, which has maybe…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Charles Bramesco (223) for The Guardian (2,969) on 22 Jul 2021

The script’s attempts at wisdom amount to little more than dime-store platitudes, and the internecine turmoil of the Arashikage clan never…

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Review of Riders of Justice (2020)

By Steve Rose (110) for The Guardian (2,969) on 22 Jul 2021

There are action thrills, to be sure, but they are folded into what becomes a sort of group therapy session on the psychology of grief, guilt,…

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Review of Every Breath You Take (2021)

By Cath Clarke (570) for The Guardian (2,969) on 21 Jul 2021

The whole thing hangs on a twist that anyone who has ever watched a trashy thriller will have cottoned on to at around the 20-minute mark…

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Review of Night of the Kings (2021)

By Steve Rose (110) for The Guardian (2,969) on 20 Jul 2021

The freshness of the approach, combined with the substance of the stories, works the same strange magic on the viewer as on the inmates…

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Review of Rogue Hostage (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 20 Jul 2021

The whole shooting match is pretty bloody, and as cheesy as the dairy aisle, but decent fun to watch…

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Review of Memoria (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Jul 2021

In a calmly realist, non-mystic movie language, this director really can convince you that the living and the dead, the past and the present,…

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Review of Paris, 13th District (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Jul 2021

I’m not sure that Les Olympiades says anything too profound about any of its cast of characters, but Audiard achieves something very watchable…

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Review of France (2021)

By Xan Brooks (287) for The Guardian (2,969) on 16 Jul 2021

Dumont’s secular crisis-of-faith drama has much to say about the corrosive effect of our 24-hour news culture…

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Review of Vortex (2022)

By Xan Brooks (287) for The Guardian (2,969) on 16 Jul 2021

Noé’s extraordinary film unfolds as a tale of murmured terrors and nameless dread, creeping softly around a cramped Paris apartment like…

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Review of Fear Street: 1666 (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 16 Jul 2021

Janiak has found a way to add new life to old material, gifting us with the rare horror franchise that makes us want more rather than less,…

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Review of Vortex (2021)

By Xan Brooks (287) for The Guardian (2,969) on 16 Jul 2021

Noé’s extraordinary film unfolds as a tale of murmured terrors and nameless dread, creeping softly around a cramped Paris apartment like…

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Review of Toofaan (2021)

By Phil Hoad (110) for The Guardian (2,969) on 15 Jul 2021

Partly set in the Mumbai underworld, Rakeysh Omprakash Mehra’s boxing drama aims at Raging Bull grit but has an unfortunately irresistible…

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Review of The Croods: A New Age (2020)

By Cath Clarke (570) for The Guardian (2,969) on 15 Jul 2021

There is just too much going on, and the movie doubles in hecticness with every minute that passes, which may have you rummaging around for…

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Review of Escape Room: Tournament of Champions (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 15 Jul 2021

Even when it’s trying too hard, the very fact that it’s trying at all makes it hard to dislike…

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Review of Drive My Car (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Jul 2021

Where once Hamaguchi’s film-making language had seemed to me at the level of jeu d’esprit, now it ascends to something with passion and…

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Review of Gunpowder Milkshake (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 14 Jul 2021

The graphic novel-inspired world of Gunpowder Milkshake isn’t unique, but it’s admirably committed and Papushado edges his film away from…

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Review of Titane (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Jul 2021

For its sheer silliness and towering pointlessness, Julia Ducournau’s gonzo body-horror shaggy-dog story deserves some points…

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