Movie Reviews Published by The Guardian - Page 43 of 149

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Review of Midnight in the Switchgrass (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 12 Aug 2021

Even though it’s largely deeply undistinguished work, credit is due to whoever rustled up some great supporting actors for little roles around…

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Review of WeWork: or The Making and Breaking of a $47 Billion Unicorn (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Aug 2021

Jed Rothstein’s very entertaining documentary is another horror story from the tulip-feverish world of tech startups…

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Review of Don't Breathe 2 (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 12 Aug 2021

Don’t Breathe 2 is not only struggling for air but it’s struggling for purpose and meaning and hopefully this weekend, audiences too…

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Review of Respect (2021)

By Charles Bramesco (223) for The Guardian (2,969) on 09 Aug 2021

In the leading role as the queen of soul, Jennifer Hudson comports herself as well as could be hoped considering the material she’s been…

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Review of Free Guy (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 05 Aug 2021

Free Guy isn’t going to have many MA theses written about it, but it has entertainment value…

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Review of Zola (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 04 Aug 2021

Now this has been turned into a very entertaining lowlife crime comedy from director and co-writer Janicza Bravo, a film that preserves the…

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Review of Vivo (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 29 Jul 2021

The eye-popping gloss of Vivo will probably lure in impressive numbers for Netflix (the animation itself is generic but impressive) but in…

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Review of Alive: Who Is There? (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 29 Jul 2021

The eye-popping gloss of Vivo will probably lure in impressive numbers for Netflix (the animation itself is generic but impressive) but in…

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Review of The Sparks Brothers (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 29 Jul 2021

It is simultaneously exasperating and magnificent that he shows no interest whatever in asking the Mael brothers anything about their personal,…

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Review of Settlers (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 28 Jul 2021

Settlers isn’t perfect: some of the storytelling beats aren’t hit as clearly as they could have been…

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Review of Spirit Untamed (2021)

By Cath Clarke (570) for The Guardian (2,969) on 28 Jul 2021

It’s a sweet, undemanding film that, despite the title, is tamer than a sedated bunny…

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Review of The Suicide Squad (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 28 Jul 2021

Not everything works here, but the sheer crazy confidence-through-chaos of the Suicide Squad and their bizarrely dysfunctional MO makes for…

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Review of The Most Beautiful Boy in the World (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 28 Jul 2021

It is a desperately unhappy story, sympathetically told by film-makers Kristina Lindström and Kristian Petri…

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Review of The True Don Quixote (2019)

By Leslie Felperin (768) for The Guardian (2,969) on 27 Jul 2021

A whimsical, good-natured romp, sure, but one that’s only mildly amusing…

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Review of Jungle Cruise (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Jul 2021

The spark that was there in the opening section disappears and the film splutters out into something directionless and derivative and dull…

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Review of Out of Death (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Jul 2021

The film squanders one or two promising plot ideas, and winds up making a hamfisted paean of praise to the idea of “open carry” gun ownership…

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Review of The Boy Behind the Door (2020)

By Phil Hoad (110) for The Guardian (2,969) on 26 Jul 2021

In the end this is a fundamentally genre-subservient film, staying within the safe lines that absolves it from getting close to the true horrors…

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Review of The Green Knight (2021)

By Charles Bramesco (223) for The Guardian (2,969) on 26 Jul 2021

David Lowery’s complex, visually sumptuous and uncommercial tale of Arthurian legend revels in upending expectations…

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Review of The Garden Left Behind (2020)

By Cath Clarke (570) for The Guardian (2,969) on 26 Jul 2021

It’s not reasonable to ask that the film keeps Tina safe, but a sense from the start that things might end badly for her made me wince a…

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Review of Val (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 23 Jul 2021

It’s pure hagiography and taken as that, it’s skillfully assembled, even stylishly so at times, and Kilmer’s insights into his art skirt…

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