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Last updated: 15 Jun 2026 at 19:18 UTC

Movie Reviews Published by The Globe and Mail (Toronto) - Page 11 of 201

201-220 of 4,018 Reviews

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Review of Cyrano (2021)

By Sarah Hagi (23) for The Globe and Mail (Toronto) (4,018) on 25 Feb 2022

Wright has created a truly rich and vibrant world, full of dramatic sets…

Review of Texas Chainsaw Massacre (2022)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 23 Feb 2022

In a franchise rife with missteps, this sequel does not dishonour its source. Hats off (and heads off) to the film’s creators…

Review of Uncharted (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 16 Feb 2022

There is something perversely impressive about a movie that can make globe-trotting adventure seem so relentlessly boring…

Review of Death on the Nile (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 09 Feb 2022

More prickly than David Suchet and more mischievous than Peter Ustinov, Branagh plays Poirot as a tremendously fun nuisance, embracing the…

Review of Kimi (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 09 Feb 2022

Soderbergh, once again acting as his own cinematographer and editor, pulls out nearly every cinematic trick he has to elevate Koepp’s material,…

Review of Parallel Mothers (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 09 Feb 2022

Parallel Mothers’ twin purposes merge into something just shy of profound. It is a moment, and movie, that just might save your soul, too…

Review of Blacklight (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 09 Feb 2022

Much as I have enjoyed the actor’s embrace of scuzzy revenge-thrillers, he may have hit the point of diminishing returns…

Review of Who We Are: A Chronicle of Racism in America (2022)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 08 Feb 2022

While Robinson’s lecture is thought-provoking and his living tour of that same history is illuminating, the Kunstlers don’t add much in…

Review of Jackass Forever (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 03 Feb 2022

I can sympathize with the skeptics who take one look at Jackass’s cultural durability and shake their heads in disgust over the state of…

Review of What Do We See When We Look at the Sky? (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Jan 2022

Split into two parts and narrated by Koberidze himself, What Do We See When We Look at the Sky…

Review of Wheel of Fortune and Fantasy (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 12 Jan 2022

Each of the three short stories making up Japanese director Ryusuke Hamaguchi’s new omnibus film Wheel of Fortune and Fantasy could stand…

Review of The Tender Bar (2021)

By Sarah Hagi (23) for The Globe and Mail (Toronto) (4,018) on 10 Jan 2022

At this point in his career, Clooney is more than a seasoned director, yet The Tender Bar lacks any artistic vision…

Review of The 355 (2022)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 06 Jan 2022

The 355 is enjoyable, go-lady nonsense that eventually exhausts itself with its ambitions to be more…

Review of American Underdog (2021)

By Sarah Hagi (23) for The Globe and Mail (Toronto) (4,018) on 30 Dec 2021

American Underdog is a film so disjointed, so boring and so deeply uninspiring that it is difficult to root for anyone, or even think of Warner…

Review of A Journal for Jordan (2021)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 23 Dec 2021

There is a specific tone to films scheduled for a holiday release – in short, they’re corny…

Review of The Tragedy of Macbeth (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Dec 2021

There is as much wit as there is wretchedness, the director having no trouble finding the human comedy scratching beneath the title tragedy…

Review of Sing 2 (2021)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 21 Dec 2021

Given the number of songs worked into the script, there’s a music video quality to the film…

Review of The Tragedy of Macbeth (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Dec 2021

There is as much wit as there is wretchedness, the director having no trouble finding the human comedy scratching beneath the title tragedy…

Review of Writing with Fire (2021)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 21 Dec 2021

I’m fascinated by these women who cover dangerous ground – treading centuries of patriarchy and caste prejudice with measure and grace…

Review of The Lost Daughter (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 21 Dec 2021

In The Lost Daughter, Gyllenhaal isn’t interested in judgment, only truth. Every decision she makes is exactly the right one…

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