Review of Kimi (2022) by Barry Hertz for The Globe and Mail (Toronto) — 09 Feb 2022
Soderbergh, once again acting as his own cinematographer and editor, pulls out nearly every cinematic trick he has to elevate Koepp’s material, but the film too often tip-toes when it should run: Every narrative and character beat feels muted, as if the tech-thriller is being apologetic for its own place within the genre.
You can read the full review where it was originally posted online.
This review of Kimi (2022) was written by Barry Hertz and published by The Globe and Mail (Toronto) on 09 Feb 2022.
Kimi has generally received positive reviews.
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