Movie Reviews Published by Slashfilm - Page 27 of 49

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Review of John and the Hole (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 02 Feb 2021

It’s an interesting idea on page, but in John and the Hole, it is all a little too opaque to make sense of Sisto’s muted portrait of adolescence…

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Review of Judas and the Black Messiah (2021)

By Chris Evangelista (306) for Slashfilm (971) on 02 Feb 2021

There’s are undeniably great moments in Judas and the Black Messiah, but one can’t help but think the movie needed to push itself just…

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Review of The Sparks Brothers (2021)

By Ethan Anderton (34) for Slashfilm (971) on 02 Feb 2021

This portrait of Sparks is just as lighthearted and delightful as the music you’ll be tapping your toe to throughout the entire movie…

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Review of Street Gang: How We Got to Sesame Street (2021)

By Ethan Anderton (34) for Slashfilm (971) on 02 Feb 2021

It follows in the footsteps of the Mr. Rogers documentary Won’t You Be My Neighbor…

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Review of First Date (2021)

By Ben Pearson (42) for Slashfilm (971) on 02 Feb 2021

There’s a beating heart at the center of First Date, but unfortunately, the movie is less interested in exploring that central relationship…

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Review of On the Count of Three (2022)

By Ethan Anderton (34) for Slashfilm (971) on 01 Feb 2021

While these misadventures could have easily resulted in a more chaotic sort of indie that loses focus, they’ve kept the attention squarely…

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Review of Prisoners of the Ghostland (2021)

By Ben Pearson (42) for Slashfilm (971) on 01 Feb 2021

A maniacal whirlwind of cinematic insanity, it feels equally likely that Prisoners of the Ghostland could become a cult classic or disappear…

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Review of Passing (2021)

By Chris Evangelista (306) for Slashfilm (971) on 01 Feb 2021

The dreamy images and the simmering passions of the film lingered with me…

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Review of A Glitch in the Matrix (2021)

By Ben Pearson (42) for Slashfilm (971) on 01 Feb 2021

A Glitch in the Matrix is more than just a conspiracy theory movie: it’s about how we function in a societal system, how we interact with…

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Review of Passing (2021)

By Chris Evangelista (306) for Slashfilm (971) on 01 Feb 2021

The dreamy images and the simmering passions of the film lingered with me…

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Review of Cryptozoo (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 31 Jan 2021

With its flat hand-drawn characters moving briskly across the richly detailed backgrounds, Cryptozoo is bursting to the seams with dazzling,…

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Review of In the Earth (2021)

By Chris Evangelista (306) for Slashfilm (971) on 31 Jan 2021

The final 20 or so minutes of In the Earth are downright impenetrable, and while that’s no doubt the point, it doesn’t make the experience…

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Review of How It Ends (2021)

By Ben Pearson (42) for Slashfilm (971) on 31 Jan 2021

Underneath all the jokes and humorous moments, the movie is fundamentally about how important it is to love yourself – and about how something…

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Review of Coda (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 30 Jan 2021

It’s a crowd-pleaser, to be sure, and a little on the corny side, but it’s so unwavering in its sincerity that it manages to hit all the…

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Review of Censor (2021)

By Chris Evangelista (306) for Slashfilm (971) on 30 Jan 2021

It works as a loving homage to the era of slap-dash, go-for-broke ’80s horror, but it ultimately adds nothing to the conversation…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Ben Pearson (42) for Slashfilm (971) on 30 Jan 2021

Overall, the electricity of the music and the novelty of seeing some of these performers absolutely shred during this period of their careers…

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Review of CODA (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 30 Jan 2021

It’s a crowd-pleaser, to be sure, and a little on the corny side, but it’s so unwavering in its sincerity that it manages to hit all the…

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Review of The Little Things (2021)

By Chris Evangelista (306) for Slashfilm (971) on 26 Jan 2021

As entertaining as it may be to revel in the 1990s setting of it all, not updating the script makes The Little Things feel stale…

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Review of The Marksman (2021)

By Evan Saathoff (31) for Slashfilm (971) on 12 Jan 2021

Ultimately, The Marksman hits its generic target…

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Review of Pieces of a Woman (2020)

By Chris Evangelista (306) for Slashfilm (971) on 30 Dec 2020

Much like the characters themselves, Pieces of a Woman is constantly chasing after what came before, only to never get it back…

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