Movie Reviews Published by Slashfilm - Page 26 of 49

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Review of Language Lessons (2021)

By Kalyn Corrigan (14) for Slashfilm (971) on 30 Mar 2021

Touching, important, and surprisingly inspiring, this movie is a testament to the power of dialect and how it shapes our worldview and fuses…

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Review of Godzilla vs. Kong (2021)

By Chris Evangelista (306) for Slashfilm (971) on 29 Mar 2021

Godzilla vs. Kong is a film without pretensions…

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Review of Here Before (2022)

By Marisa Mirabal (47) for Slashfilm (971) on 23 Mar 2021

Gregg delivers an intoxicating and impressive directorial debut, so it will be enjoyable to witness what she does next…

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Review of Nobody (2021)

By Chris Evangelista (306) for Slashfilm (971) on 22 Mar 2021

Nobody seems to think that if it follows a paint-by-numbers Wick formula, that’ll be enough…

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Review of Women Is Losers (2021)

By Kalyn Corrigan (14) for Slashfilm (971) on 20 Mar 2021

At the end of the day, this is Izzo’s show…

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Review of Lily Topples The World (2021)

By Kalyn Corrigan (14) for Slashfilm (971) on 20 Mar 2021

This is a story of unlikely triumph…

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Review of Introducing, Selma Blair (2021)

By Marisa Mirabal (47) for Slashfilm (971) on 19 Mar 2021

Introducing, Selma Blair rips the Band-Aid off society’s view of chronic illness with a raw portrayal of her medical diagnosis that is authenticated…

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Review of Zack Snyder's Justice League (2021)

By Chris Evangelista (306) for Slashfilm (971) on 15 Mar 2021

In fact, “very dumb and very enchanting” could sum up Zack Snyder’s Justice League as a whole…

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Review of Chaos Walking (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 04 Mar 2021

Other than a few inventive sequences around the film’s central conceit of “the Noise,” Chaos Walking is a grim retread of the YA dystopian…

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Review of Raya and the Last Dragon (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 01 Mar 2021

One film shouldn’t have to handle the weight of representing an entire geographic region, and I don’t expect Raya and the Last Dragon to…

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Review of Tom & Jerry (2021)

By Josh Spiegel (148) for Slashfilm (971) on 26 Feb 2021

Tom & Jerry is, in many ways, aiming to be a live-action cartoon. But it fails in so many basic ways of cinematic storytelling…

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Review of Cherry (2021)

By Chris Evangelista (306) for Slashfilm (971) on 25 Feb 2021

This is a major misfire that will have you scratching your head and wondering how it all came to be…

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Review of Flora & Ulysses (2021)

By Josh Spiegel (148) for Slashfilm (971) on 25 Feb 2021

Flora & Ulysses is, at its core, a very nice and sweet film. It’s low-key, but frankly, that’s fine…

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Review of Sator (2019)

By Chris Evangelista (306) for Slashfilm (971) on 15 Feb 2021

There’s a lot to love here; searing heretic cinematography included, as long as you’re a fan of horror flicks that love taking their…

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Review of Earwig and the Witch (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 04 Feb 2021

Earwig and the Witch feels like a film going through the motions, but not understanding the emotion behind the big narrative beats it’s trying…

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Review of Together Together (2021)

By Chris Evangelista (306) for Slashfilm (971) on 04 Feb 2021

The comedy on display here is so forced and without charm that it made me wish Beckwith and company had abandoned any attempt at humor and…

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Review of We're All Going to the World's Fair (2022)

By Ben Pearson (42) for Slashfilm (971) on 03 Feb 2021

Is this a horror movie? A mystery? A thriller…

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Review of Wild Indian (2021)

By Chris Evangelista (306) for Slashfilm (971) on 03 Feb 2021

Wild Indian is a singular achievement; a film so raw and centered that it dares you to look away from scenes that simmer and burn…

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Review of First Date (2021)

By Ben Pearson (42) for Slashfilm (971) on 02 Feb 2021

There’s a beating heart at the center of First Date, but unfortunately, the movie is less interested in exploring that central relationship…

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Review of First Date (2021)

By Ben Pearson (42) for Slashfilm (971) on 02 Feb 2021

There’s a beating heart at the center of First Date, but unfortunately, the movie is less interested in exploring that central relationship…

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