Movie Reviews Published by Slashfilm - Page 12 of 49

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Review of White Noise (2022)

By Lex Briscuso (44) for Slashfilm (971) on 31 Aug 2022

While 136 minutes is a bit lengthy, even for this story — White Noise drags in parts, but again, so does life — the movie's electric, eccentric,…

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Review of White Noise (2022)

By Lex Briscuso (44) for Slashfilm (971) on 31 Aug 2022

While 136 minutes is a bit lengthy, even for this story — White Noise drags in parts, but again, so does life — the movie's electric, eccentric,…

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Review of The Invitation (2022)

By Chris Evangelista (306) for Slashfilm (971) on 26 Aug 2022

I want to see more from Jessica M. Thompson, who has an eye for atmospheric creepiness that would be better served with stronger material…

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Review of Riotsville, USA (2022)

By Chris Evangelista (306) for Slashfilm (971) on 25 Aug 2022

Again and again, the bleak truth is driven home: this is the society America built…

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Review of Samaritan (2022)

By Sarah Milner (17) for Slashfilm (971) on 25 Aug 2022

Those who remember a time when afternoons were spent pumping quarters into Street Fighter II and fantasizing about Sylvester Stallone beating…

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Review of Our Father (2022)

By Sarah Milner (17) for Slashfilm (971) on 16 Aug 2022

For how borderline cheesy the movie is on occasion, director Lucie Jourdan does an excellent job of emphasizing the heinous nature of the doctor's…

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Review of Our Father (2022)

By Sarah Milner (17) for Slashfilm (971) on 16 Aug 2022

For how borderline cheesy the movie is on occasion, director Lucie Jourdan does an excellent job of emphasizing the heinous nature of the doctor's…

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Review of Inu-Oh (2022)

By Caroline Cao (13) for Slashfilm (971) on 15 Aug 2022

It becomes futile to resist the intoxication of Otomo Yoshihide's rock music and the visual excess…

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Review of Orphan: First Kill (2022)

By Chris Evangelista (306) for Slashfilm (971) on 15 Aug 2022

David Coggeshall's script has more than a few tricks up its sleeve, including some jaw-dropping twists that I will confess I did not see coming…

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Review of Day Shift (2022)

By Chris Evangelista (306) for Slashfilm (971) on 11 Aug 2022

As far as Netflix movies go, Day Shift is inoffensive enough for your viewing pleasure. But I wanted more…

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Review of Laal Singh Chaddha (2022)

By Witney Seibold (272) for Slashfilm (971) on 09 Aug 2022

Laal Singh Chaddha is hardly a Terrence Malick-like contemplation of pacifist philosophy — it's ultimately a broad, sentimentalist opera…

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Review of Easter Sunday (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 04 Aug 2022

Every joke in Easter Sunday lands with a thud, every emotional beat falls flat…

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Review of Prey (2022)

By Chris Evangelista (306) for Slashfilm (971) on 03 Aug 2022

Trachtenberg and company have put together a crackerjack monster pic, full of clever new approaches to old material…

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Review of Prey (2022)

By Chris Evangelista (306) for Slashfilm (971) on 03 Aug 2022

Trachtenberg and company have put together a crackerjack monster pic, full of clever new approaches to old material…

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Review of Mija (2022)

By Ethan Anderton (34) for Slashfilm (971) on 03 Aug 2022

Though Mija finds a powerful emotional core between these two young women, it feels somewhat incomplete…

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Review of Bullet Train (2022)

By Josh Spiegel (148) for Slashfilm (971) on 02 Aug 2022

Considering the majority of modern mainstream fare, we can look at Bullet Train as a mild win, a presumably high-budgeted action film that…

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Review of Bodies Bodies Bodies (2022)

By Lex Briscuso (44) for Slashfilm (971) on 01 Aug 2022

The movie's direction is whip-smart and gives the film a great paranoid tone, constantly whipping us back and forth between characters and…

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Review of Girl Picture (2022)

By Shania Russell (6) for Slashfilm (971) on 28 Jul 2022

The otherwise low-stakes drama is so invested in their emotional state that the lows are bottomless, while the highs have no ceiling. Haapasalo…

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Review of Anything's Possible (2022)

By Bj Colangelo (3) for Slashfilm (971) on 28 Jul 2022

Anything's Possible perfectly captures the idealized fantasy of teen movies without ever insulting the intelligence of its audience, and finally…

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Review of Glorious (2022)

By Matt Donato (975) for Slashfilm (971) on 27 Jul 2022

Glorious might not save the world, yet it's still a wonderful way to pass the time while humanity as we know it is devoured by threats we'll…

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