Review of Inu-Oh (2022) by Caroline Cao for Slashfilm — 15 Aug 2022
It becomes futile to resist the intoxication of Otomo Yoshihide's rock music and the visual excess. Yoshihiro Sekiya's cinematography dances with Inu-Oh's supernatural ballad, extending and sprawling across the lakes and stage.
Easily, those concerts are the most enthralling and splashiest sequences, recreating the adrenaline of witnessing stagecraft, all culminating into a hell-raising musical finale.
You can read the full review where it was originally posted online.
This review of Inu-Oh (2022) was written by Caroline Cao and published by Slashfilm on 15 Aug 2022.
Inu-Oh has generally received very positive reviews.
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