Movie Reviews Published by Slant Magazine - Page 213 of 415

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Review of Desperate Acts of Magic (2013)

By Diego Semerene (203) for Slant Magazine (8,298) on 30 Apr 2013

Tammy Caplan and Joe Tyler Gold's film gives off the alienating feel of an inside joke that you miss in the off chance you're not part of the…

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Review of Once Upon a Time in Brooklyn (2013)

By Drew Hunt (128) for Slant Magazine (8,298) on 29 Apr 2013

As far as derivative crime sagas go, Paul Borghese's film might represent the new gold standard of shameless barrel-scraping…

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Review of Iron Man 3 (2013)

By Chris Cabin (484) for Slant Magazine (8,298) on 29 Apr 2013

A madly creative, darkly comical, and fiendishly self-aware actioner with muscle to spare…

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Review of The Iceman (2012)

By Tomas Hachard (101) for Slant Magazine (8,298) on 28 Apr 2013

Michael Shannon has no interior to play with, since the film seems intent on ridding Richie of any emotion other than love for his family,…

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Review of Greetings from Tim Buckley (2013)

By Nick Mccarthy (53) for Slant Magazine (8,298) on 28 Apr 2013

Despite the counter-culture subjects at its core, Daniel Algrant's film possesses a put-upon hipness that cannot mask its disarming dorkiness…

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Review of The Happy House (2013)

By Chuck Bowen (756) for Slant Magazine (8,298) on 28 Apr 2013

D.W…

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Review of Scatter My Ashes at Bergdorf's (2013)

By R. Kurt Osenlund (158) for Slant Magazine (8,298) on 28 Apr 2013

Matthew Miele has made a department store of a documentary, stocked to the hilt with an obscene inventory of storylines, talking heads, and…

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Review of Quantum of Solace (2008)

By Bill Weber (150) for Slant Magazine (8,298) on 28 Apr 2013

Updating this anachronistic cash cow with the scrappy and sexy Craig still looks like a wise move, but it requires a greater quantum of style…

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Review of Kiss of the Damned (2012)

By Ed Gonzalez (1,102) for Slant Magazine (8,298) on 26 Apr 2013

Xan Cassavetes cops to nothing more significant than being more keen on Vampyros Lesbos than anyone else from her clan of famous cinephiles…

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Review of The Big Wedding (2013)

By Rob Humanick (476) for Slant Magazine (8,298) on 26 Apr 2013

For a movie ultimately about what freaks we all are behind the fronts we build for the sake of normalcy, the apathetically performed The Big…

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Review of What Maisie Knew (2013)

By Chris Cabin (484) for Slant Magazine (8,298) on 26 Apr 2013

David Siegel and Scott McGehee's film renders the rhapsodic Henry James novel of the same name into an abhorrent slice of tasteless familial drama…

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Review of Haute Cuisine (2012)

By Chris Cabin (484) for Slant Magazine (8,298) on 25 Apr 2013

Offers all the ingredients for a great feast of enticing visions and thematic concerns, only to have them be prepared, plated, and served with…

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Review of A Single Shot (2013)

By Nick Schager (2,294) for Slant Magazine (8,298) on 25 Apr 2013

Content to faithfully hew to convention, A Single Shot rarely surprises, but its portrait of foolishness and fallibility, and its atmosphere…

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Review of Sunlight Jr. (2013)

By Abhimanyu Das (25) for Slant Magazine (8,298) on 24 Apr 2013

An admirable refusal to adhere to any overexposed poverty-porn templates, however, is taken a little too far in the opposite direction, to…

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Review of What Richard Did (2012)

By Tina Hassannia (118) for Slant Magazine (8,298) on 24 Apr 2013

The film's structure as a character study helps to subtly underscore the flawed justifications of a privileged kid's thought patterns and unchallenged…

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Review of Mobius (2004)

By Ed Gonzalez (1,102) for Slant Magazine (8,298) on 23 Apr 2013

Eric Rochant's weird and lengthy fixation on De France reaching orgasm twice in one session allows Möbius to unexpectedly transform from a…

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Review of Pain & Gain (2013)

By Nick Schager (2,294) for Slant Magazine (8,298) on 23 Apr 2013

An outrageous based-on-real-life tale that's perfectly suited to director Michael Bay's insanely overblown stylistic and thematic temperament…

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Review of Möbius (2011)

By Ed Gonzalez (1,102) for Slant Magazine (8,298) on 23 Apr 2013

Eric Rochant's weird and lengthy fixation on De France reaching orgasm twice in one session allows Möbius to unexpectedly transform from a…

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Review of Arthur Newman (2012)

By Tomas Hachard (101) for Slant Magazine (8,298) on 23 Apr 2013

Throughout Dante Ariola's film, the expressions of the false-identity theme are multitudinous, and about as subtle as the Colin Firth character's…

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Review of Möbius (2013)

By Ed Gonzalez (1,102) for Slant Magazine (8,298) on 23 Apr 2013

Eric Rochant's weird and lengthy fixation on De France reaching orgasm twice in one session allows Möbius to unexpectedly transform from a…

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