Movie Reviews Published by Screen International - Page 24 of 113

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Review of Woodpeckers (2017)

By Sarah Ward (538) for Screen International (2,241) on 13 Sep 2017

A feature that might not always surprise in its story, but succeeds in its authenticity…

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Review of First They Killed My Father (2017)

By Allan Hunter (1,486) for Screen International (2,241) on 12 Sep 2017

We only see what Loung sees, feel what she experiences but through her ordeal there develops an emotional connection to a country undergoing…

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Review of Breathe (2017)

By Wendy Ide (1,500) for Screen International (2,241) on 12 Sep 2017

The lack of emotional distance between the filmmakers and the subject – producer Jonathan Cavendish is the son of Robin and Diana – might…

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Review of Ex Libris: The New York Public Library (2017)

By Lee Marshall (157) for Screen International (2,241) on 12 Sep 2017

Shot and edited with Wiseman’s customary poetry and precision, Ex Libris is structured as a series of forays from the Library’s Fifth Avenue…

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Review of Indivisible (2017)

By Sarah Ward (538) for Screen International (2,241) on 11 Sep 2017

Indivisible peers and probes, offering a sensitive, insightful and sometimes even dream-like rumination on the cost of seeking and subverting…

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Review of The Wife (2017)

By Wendy Ide (1,500) for Screen International (2,241) on 11 Sep 2017

Despite high quality performances from Close and Pryce, the film leaves us with question marks over the credibility of the central scenario…

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Review of Woodshock (2017)

By Jonathan Romney (434) for Screen International (2,241) on 11 Sep 2017

There’s a thin, and very jagged, line between the radical mosaic approach to editing and narrative of a film like Shane Carruth’s Upstream…

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Review of Brad's Status (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 10 Sep 2017

Writer-director Mike White has crafted a painfully funny and surprisingly moving character piece, but what’s most remarkable is how he and…

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Review of Battle of the Sexes (2017)

By Fionnuala Halligan (367) for Screen International (2,241) on 10 Sep 2017

Served up with star turns from Emma Stone and Steve Carell, Battle Of The Sexes slams a crowdpleaser across the net…

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Review of The Death of Stalin (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 10 Sep 2017

The novelty of his volcanically vulgar, deeply cynical tone may have worn off some, but Iannucci has nonetheless crafted another poisonous…

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Review of Lady Bird (2017)

By Allan Hunter (1,486) for Screen International (2,241) on 09 Sep 2017

Lady Bird is often screamingly funny but it also has a generous spirit, embracing characters with all their flaws and foibles, virtues and defects…

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Review of Human Flow (2017)

By Lee Marshall (157) for Screen International (2,241) on 08 Sep 2017

This sprawling, meandering compendium of dispossessed people in transit is a profoundly human film, a heartfelt call to empathy, but also something…

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Review of Motherland (2017)

By Nikki Baughan (240) for Screen International (2,241) on 06 Sep 2017

An eye-opening, moving and often shocking film, Motherland is a serious-minded documentary without talking heads, music, or narrative structure…

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Review of It (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 05 Sep 2017

Consistently, persuasively unnerving, It turns the coming-of-age drama into a nightmare…

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Review of Rebel in the Rye (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 04 Sep 2017

Boasting some strong performances and clever writing, this breezy overview of the author and his magnum opus, The Catcher In The Rye, fails…

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Review of Three Billboards Outside Ebbing, Missouri (2017)

By Fionnuala Halligan (367) for Screen International (2,241) on 03 Sep 2017

Anchored by a funny, foul-mouthed performance from McDormand, McDonagh’s daringly-structured dark comedy is rich and layered and often laugh-out-loud…

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Review of An Imperfect Murder (2017)

By Jonathan Romney (434) for Screen International (2,241) on 02 Sep 2017

This won't raise Toback's ever-wavering profile, but at least it proves him game for a challenge and unashamed to look, let's say, studenty…

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Review of Victoria & Abdul (2017)

By Jonathan Romney (434) for Screen International (2,241) on 02 Sep 2017

The film’s lavish production values and a comic register more impish than truly acerbic makes this a surprisingly cosy piece of luxury heritage…

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Review of Suburbicon (2017)

By Fionnuala Halligan (367) for Screen International (2,241) on 02 Sep 2017

Suburbicon is a solid, pleasing piece, even if it never quite reaches the bleak heights its set-up promises…

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Review of Strong Island (2017)

By David D'arcy (130) for Screen International (2,241) on 01 Sep 2017

This documentary reminds us that justice can be as elusive in the US suburbs as anywhere else, and that having guns keeps people who are born…

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