Review of Woodshock (2017) by Jonathan Romney for Screen International — 11 Sep 2017
There’s a thin, and very jagged, line between the radical mosaic approach to editing and narrative of a film like Shane Carruth’s Upstream Color and the impressionistic jigsaw vagueness of Woodshock, which simply seems reluctant to commit itself to mere coherence, as if that simply were too unchic.
You can read the full review where it was originally posted online.
This review of Woodshock (2017) was written by Jonathan Romney and published by Screen International on 11 Sep 2017.
Woodshock has generally received negative reviews.
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