Movie Reviews Published by Screen International - Page 21 of 113

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Review of Jane (2017)

By Nikki Baughan (240) for Screen International (2,241) on 24 Nov 2017

Jane is both a stunning celebration of nature and insightful study of our changing relationship with the world around us…

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Review of Jane (2016)

By Nikki Baughan (240) for Screen International (2,241) on 24 Nov 2017

Jane is both a stunning celebration of nature and insightful study of our changing relationship with the world around us…

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Review of Scarred Hearts (2017)

By Allan Hunter (1,486) for Screen International (2,241) on 21 Nov 2017

Precisely nuanced and unashamedly intellectual, Scarred Hearts has emotional undercurrents that should make it slightly more accessible than Aferim…

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Review of Angelica (2017)

By Mark Adams (368) for Screen International (2,241) on 16 Nov 2017

An unusual and often hauntingly strange film, Angelica is given life thanks to Jena Malone’s impressive performance, which juggles mounting…

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Review of Justice League (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 15 Nov 2017

Whatever mild pleasure can be derived from seeing Batman and Wonder Woman team up with other costumed crime-fighters quickly dissipates as…

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Review of Daddy's Home 2 (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 14 Nov 2017

Will Ferrell and Mark Wahlberg are a lot less fun this time around, paired with a fumbling John Lithgow and a stiff Mel Gibson as their overbearing…

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Review of Wonder (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 12 Nov 2017

Because of the quality of the performances and the sincerity of the execution, Wonder doesn’t need to artificially stir our emotions, so…

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Review of Sexy Durga (2018)

By Sarah Ward (538) for Screen International (2,241) on 07 Nov 2017

Makes its points plain with the heaviest of hands, but does so with a deft feel for cultivating tension…

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Review of MFKZ (2018)

By Sarah Ward (538) for Screen International (2,241) on 07 Nov 2017

Distinctive 2D animation mixes graffiti-strewn, street-level realism with playful stylisation...for an aesthetically striking, instantly immersive…

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Review of Murder on the Orient Express (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 03 Nov 2017

Branagh, in his direction and especially in his performance, can’t help but overdo the cheeky artificiality, which keeps Murder feeling more…

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Review of A River Below (2017)

By Allan Hunter (1,486) for Screen International (2,241) on 02 Nov 2017

Director Mark Grieco grabs our attention by going beyond the obvious…

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Review of A Bad Moms Christmas (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 01 Nov 2017

The new film is hardly a comedic lump of coal, but the broad, sitcom-y material has inherent limitations that no amount of shameless, gleeful…

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Review of The Man Who Invented Christmas (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 28 Oct 2017

The more that Nalluri tries to connect Dickens’ personal breakthroughs to those of his fictional character, the less authentic it feels…

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Review of Novitiate (2017)

By Wendy Ide (1,500) for Screen International (2,241) on 25 Oct 2017

Driven by strong performances, this is, however, a more conventional piece than other recent pictures which explored crises of faith…

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Review of Maya Dardel (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 25 Oct 2017

The proceedings are often stifling, but not without their prickly pleasures…

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Review of Thank You for Your Service (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 25 Oct 2017

The subject matter may be familiar — despairingly so — but writer-director Jason Hall (who previously wrote American Sniper) imbues it…

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Review of Brawl in Cell Block 99 (2017)

By Lee Marshall (157) for Screen International (2,241) on 22 Oct 2017

Vaughn brings a tenderness to the role of a man forced into animal violence for the sake of love and the miracle of birth, and the rangy anarchy…

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Review of LBJ (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 21 Oct 2017

In a similar vein to Lincoln, LBJ is as much a portrait of a president as it is a tutorial in how the business of government works…

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Review of Coco (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 19 Oct 2017

In its zeal to pay proper respect to Mexican traditions and to avoid any hint of appropriation, Coco fails to give as much attention to its…

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Review of Bad Day for the Cut (2017)

By Allan Hunter (1,486) for Screen International (2,241) on 18 Oct 2017

Bad Day succeeds because of the quality of the craftsmanship, the decision to bring a more measured perspective to typical thriller conventions…

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