Movie Reviews Published by Screen International - Page 20 of 113

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Review of Insidious: The Last Key (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 03 Jan 2018

The fourth installment of the Insidious series has deft scares and some nifty twists, all of which don’t entirely distract from how strangely…

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Review of Foxtrot (2017)

By Dan Fainaru (31) for Screen International (2,241) on 30 Dec 2017

Though it is all about mourning and loss, Maoz’ script reaches way beyond, unveiling in each one of his leading characters deep layers of…

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Review of The Commuter (2018)

By Sarah Ward (538) for Screen International (2,241) on 29 Dec 2017

What The Commuter lacks in nuance, depth, surprises, logic and serviceable dialogue...it can’t make up for in its effective single-location…

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Review of Mom and Dad (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 28 Dec 2017

The film lets Nicolas Cage’s gonzo performance be its guide, mixing mocking self-parody and giddy enthusiasm for an utterly disposable, demented…

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Review of The Thousand Faces of Dunjia (2017)

By John Berra (26) for Screen International (2,241) on 21 Dec 2017

Its emphasis on teambuilding makes The Thousand Faces of Dunjia play like a wuxia riff on Guardians of the Galaxy (2014) but its blend of spectacle…

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Review of Casting JonBenet (2017)

By Sarah Ward (538) for Screen International (2,241) on 21 Dec 2017

A tapestry of emotions, theories and perception... a study of trauma's many echoes…

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Review of The Shape of Water (2017)

By Sarah Ward (538) for Screen International (2,241) on 21 Dec 2017

A creature-feature romance that splashes about with enchanting warmth and an open heart…

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Review of The Greatest Showman (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 20 Dec 2017

This strained musical is content to play to the cheap seats…

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Review of Pitch Perfect 3 (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 19 Dec 2017

The new film is proudly aware of how ludicrous it is...and the sunnily silly plot mostly functions to get the Bellas to their next song-and-dance…

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Review of All the Money in the World (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 19 Dec 2017

The muddled but icily engaging All The Money In The World is a thriller packed with ideas which director Ridley Scott only sporadically delineates…

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Review of Youth (2017)

By Allan Hunter (1,486) for Screen International (2,241) on 14 Dec 2017

Galloping across the decades, the film becomes increasingly sketchy and superficial…

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Review of In Between (2016)

By Sarah Ward (538) for Screen International (2,241) on 14 Dec 2017

An elegant, sensitive yet still assured and potent debut effort…

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Review of Cinderella the Cat (2017)

By Lee Marshall (157) for Screen International (2,241) on 12 Dec 2017

Gatta Cenerentola is on one level a noirish spin on a popular fable, but its real resonance derives from its stimulating contribution to a…

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Review of Star Wars: The Last Jedi (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 12 Dec 2017

The space battles and lightsaber duels are appropriately exciting, but Johnson keeps a close eye on the human element that girds this galactic…

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Review of Jumanji: Welcome to the Jungle (2017)

By Kim Newman (791) for Screen International (2,241) on 08 Dec 2017

It’s an entertaining, engaging, colourful picture in its own right with decently-handled action-adventure set-pieces and sly comedy, detouring…

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Review of Ferdinand (2017)

By Wendy Ide (1,500) for Screen International (2,241) on 07 Dec 2017

When writers find it necessary to beef up a screenplay with that tiredest of factory-farmed animated trope, the comedy dance off, one wonders…

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Review of Phantom Thread (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 07 Dec 2017

Writer-director Paul Thomas Anderson has crafted a period drama of startling tonal fluidity, and Daniel Day-Lewis and Vicky Krieps deliver…

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Review of The Post (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 06 Dec 2017

Of a piece with his recent, stately dramas Lincoln and Bridge Of Spies, director Steven Spielberg’s latest brings intelligence and electricity…

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Review of The Breadwinner (2017)

By Wendy Ide (1,500) for Screen International (2,241) on 27 Nov 2017

Parvana's eloquent eyes convey the tragedy of a land under siege, and the terrible fate which befalls each family member in turn is beautifully…

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Review of Shadowman (2017)

By Fionnuala Halligan (367) for Screen International (2,241) on 27 Nov 2017

Jacoby delivers an adroit portrait of the artist at work in a technical package which wraps itself smoothly around this intense, surprising story…

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