Movie Reviews Published by RogerEbert.com - Page 71 of 279

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Review of Vanguard (2020)

By Simon Abrams (730) for RogerEbert.com (5,563) on 20 Nov 2020

The movie’s off-putting and constantly foregrounded political agenda wouldn’t be so unpleasant if the action scenes were more plentiful…

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Review of The Last Vermeer (2019)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 20 Nov 2020

The highlight of the film is the trial. Van Meegeren insists he was not collaborating with the Nazis; he was defrauding them…

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Review of Embattled (2020)

By Robert Daniels (336) for RogerEbert.com (5,563) on 20 Nov 2020

The father-son drama in Embattled might win some rounds, but the abundance of clichés leads to a loss overall…

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Review of Collective (2019)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 20 Nov 2020

Alexander Nanau's Collective has a propulsive energy, relentlessly building in urgency and outrage…

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Review of Ma Rainey's Black Bottom (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 20 Nov 2020

Boseman never gave less than one hundred percent to his often demanding roles. His work here as the trumpet player, Levee, is no exception…

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Review of Jiu Jitsu (2020)

By Simon Abrams (730) for RogerEbert.com (5,563) on 20 Nov 2020

Jiu Jitsu is too disjointed and tame to be worth an impulse-rent; it's also too silly to be enjoyed with a straight face, and too lazy to be…

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Review of Sound of Metal (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 20 Nov 2020

It’s a movie that doesn’t just allow for silence but thrives in it, with Ahmed’s eyes and body language charting the arc of his character…

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Review of Crazy, Not Insane (2020)

By Nick Allen (397) for RogerEbert.com (5,563) on 18 Nov 2020

As storyteller, Gibney finds a constructive manner to mindfully engage our admittedly bizarre fixation with murder (which would be worthy of…

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Review of Come Away (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Nov 2020

Come Away evokes memories of “Radio Flyer,” the equally appalling 1992 child abuse drama where fantasy and cruel reality merged in ways…

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Review of The Life Ahead (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 13 Nov 2020

The Last Movie Star paid tribute to Burt Reynolds' career, but also appreciated what he brought to the table as an old man…

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Review of I Am Greta (2020)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 13 Nov 2020

Since Thunberg is one of the most gifted and arresting speakers alive today, I Am Greta is inherently compelling as a behind-the-scenes document…

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Review of Fireball: Visitors from Darker Worlds (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 13 Nov 2020

The result is a film that can be a bit dry when Oppenheimer leads the scientific discussion but that comes springing back to life when Herzog…

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Review of Fatman (2020)

By Mark Dujsik (2,093) for RogerEbert.com (5,563) on 13 Nov 2020

Gruff and always on the cusp of irate, Gibson is fine as this twist on Santa, but his performance, like the whole of the movie, simply rides…

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Review of Echo Boomers (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 13 Nov 2020

As with the many trend pieces complaining about millennials spending too much money on avocado toast over home mortgages, Echo Boomers gets…

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Review of Hillbilly Elegy (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 12 Nov 2020

It's not a great or even particularly distinctive movie, but it's heartfelt and plain-spoken enough that it might connect with viewers whose…

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Review of Freaky (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 12 Nov 2020

Freaky is a fun, frisky, and nostalgic ride that delivers laughs, various inventively bloody kills, and on occasion, even some 21st-century-appropriate…

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Review of The Mortuary Collection (2020)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 12 Nov 2020

Thoroughly grisly and mostly entertaining, “The Mortuary Collection” is a satisfying choice for the spooky season…

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Review of Coded Bias (2020)

By Nick Allen (397) for RogerEbert.com (5,563) on 11 Nov 2020

Throughout, Coded Bias constantly feels like it's not recounting a saga that’s like grounded science-fiction, it’s making us aware that…

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Review of Jungleland (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 06 Nov 2020

Winkler, and featuring three very strong central performances and eye-catching poetic visuals, Jungleland is more of a mood-piece than anything…

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Review of Mortal (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 06 Nov 2020

All you need to know is that this slow-moving, sci-fi origin story was made by Norwegian co-writer/director André Øvredal, the man who previously…

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