Movie Reviews Published by RogerEbert.com - Page 70 of 279

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Review of The Prom (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 09 Dec 2020

Netflix's The Prom is billed as a musical comedy because people sing in it while making funny faces, but beyond that, the relative levels of…

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Review of Black Bear (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 09 Dec 2020

Black Bear is ambitious for itself in its many layers of meta, but the observational moments of behavior is where the film soars…

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Review of The Midnight Sky (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Dec 2020

He’s a welcome presence in his first on-screen performance since 2016, but Clooney’s direction is as cold as the landscape his character…

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Review of Another Round (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Dec 2020

Even as the final act starts to get a bit manipulative by stretching some previously established realism, Mikkelsen holds it together, and…

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Review of 76 Days (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 09 Dec 2020

To the credit of the filmmakers, 76 Days has been made in such a skillful and gripping manner that even those suffering from COVID news fatigue…

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Review of Let Them All Talk (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Dec 2020

It’s a wonderful film to experience as an acting and filmmaking exercise. Just take the trip…

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Review of Half Brothers (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 09 Dec 2020

Because of the movie’s uneven story and characters, it’s a bumpy ride no matter which route you take…

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Review of Mayor (2020)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 02 Dec 2020

Mayor doesn’t feature an impassioned speech detailing the Palestinian people’s ardent plight for freedom because it doesn’t need one…

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Review of Stardust (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 27 Nov 2020

The lack of a solid narrative means Stardust cannot compensate for the production’s modest budget, which lacks a noticeable amount of Bowie…

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Review of Stardust (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 27 Nov 2020

The lack of a solid narrative means Stardust cannot compensate for the production’s modest budget, which lacks a noticeable amount of Bowie…

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Review of My Psychedelic Love Story (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 27 Nov 2020

There's enough material here to fill an entire multi-part docu-series, but My Psychedelic Love Story is an intriguing and often-humorous look…

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Review of Uncle Frank (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 27 Nov 2020

Uncle Frank commits the unforgivable sin of giving us one evil character whose demise suddenly unleashes a wave of understanding amongst family…

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Review of Superintelligence (2020)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 27 Nov 2020

Alas, everything is wrong with Superintelligence, beginning with the misbegotten premise of Steve Mallory’s script…

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Review of The Christmas Chronicles: Part Two (2020)

By Nick Allen (397) for RogerEbert.com (5,563) on 27 Nov 2020

The bad news, I’m sorry to say, is that The Christmas Chronicles 2 doesn’t contribute much that's worthwhile to the first movie's blueprint,…

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Review of Happiest Season (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 27 Nov 2020

It’s never a good sign when characters in a film promptly declare: we are aware you are watching and we’re here to teach you a thing or two…

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Review of Zappa (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 27 Nov 2020

I found the film to be an engrossing look at Zappa and his legacy that nevertheless avoids the mere hagiography that films of this sort run…

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Review of Stardust (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 27 Nov 2020

The lack of a solid narrative means Stardust cannot compensate for the production’s modest budget, which lacks a noticeable amount of Bowie…

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Review of The Mystery of D.B. Cooper (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 Nov 2020

By turning this narrative into a search for an identification that seems increasingly unlikely to ever happen, Dower loses focus, and we become…

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Review of Black Beauty (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 27 Nov 2020

While much of this Black Beauty strays from the original, the spirit of empathy and combatting animal cruelty remain intact…

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Review of The Croods: A New Age (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Nov 2020

A decent first half and solid voice work throughout succumbs to total chaos for the second half and the realization that there’s almost no…

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