Movie Reviews Published by RogerEbert.com - Page 65 of 279

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Review of The United States vs. Billie Holiday (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Feb 2021

The United States vs. Billie Holiday is so misguided that it's hard to know where to start griping about it…

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Review of Tyger Tyger (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 26 Feb 2021

Even taken simply as a deliberately formless freak-out, the kind that used to turn up regularly back in the heyday of the midnight movie circuit,…

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Review of Crisis (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 26 Feb 2021

In a lot of ways, Crisis is a classic example of a movie that wants to be a little bit of everything, only to add up to a much lesser version…

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Review of Tom & Jerry (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Feb 2021

A few sequences of classic T&J comedy aren’t nearly enough to make up for the dull plotting and flat characters in this soulless product,…

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Review of Crisis (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 26 Feb 2021

In a lot of ways, Crisis is a classic example of a movie that wants to be a little bit of everything, only to add up to a much lesser version…

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Review of Billie Eilish: The World's a Little Blurry (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 26 Feb 2021

We’re seeing a then-17-year-old Eilish change her style, come into her own and demand control of her image, right down to directing her own…

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Review of The Father (2020)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 25 Feb 2021

It’s some of the absolute best work of Hopkins’ lengthy and storied career…

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Review of Pelé (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 23 Feb 2021

To see him wrestle with his own past, the pressure of a whole country’s dreams, and the relief of making them come true, is occasionally…

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Review of Test Pattern (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 19 Feb 2021

Coupled with the talents of cinematographer Ludovica Isidori and music by Rob Rusli, Ford’s Test Pattern is an engrossing human drama, one…

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Review of Silk Road (2021)

By Mark Dujsik (2,093) for RogerEbert.com (5,563) on 19 Feb 2021

Writer/director Tiller Russell doesn't directly ask us to take a side in Silk Road, a dramatization of the creation and downfall of the eponymous…

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Review of I Care a Lot (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 19 Feb 2021

The detached, bemused tone that sustains the film for so long eventually gives way to actual feelings—to its detriment—as this dark comedy…

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Review of Body Brokers (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 19 Feb 2021

Body Brokers was clearly made with good intentions, but while it might still fill you with anger towards the predatory aspects of the rehabilitation…

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Review of Flora & Ulysses (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 18 Feb 2021

The superhero power of this movie comes from its endearingly offbeat characters, goofy humor, and gentle insights about finding optimism even…

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Review of Shook (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 17 Feb 2021

Shook, about an influencer being tormented by a mysterious caller, takes the bait on making a movie about such social media vanity, but its…

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Review of Shook (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 17 Feb 2021

Shook, about an influencer being tormented by a mysterious caller, takes the bait on making a movie about such social media vanity, but its…

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Review of Bad Cupid (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 16 Feb 2021

Whatever it is going for, it does not get there. Poorly written, directed, performed, and edited, Bad Cupid is a Bad Movie…

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Review of Lapsis (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 16 Feb 2021

The filmmaker does a phenomenal job of setting up this world in a natural-seeming way, smuggling mountains of pertinent fact into conversations…

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Review of Willy's Wonderland (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 12 Feb 2021

Willy’s Wonderland feels like a movie conceived during a drinking game…

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Review of French Exit (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 12 Feb 2021

The costume design from Jane Petrie creates a timeless elegance…

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Review of The Map of Tiny Perfect Things (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 12 Feb 2021

To the credit of The Map of Tiny Perfect Things, the film knows its pop-culture touchstones (Groundhog Day and Time Bandits) and acknowledges…

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